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My Documents
by Alejandro Zambra and Megan Mcdowell


Overview - Named a best book of 2015 by NPR, "The Boston Globe," and "Electric Literature."
"My Documents" is the latest work from Alejandro Zambra, the award-winning Chilean writer whose first novel was heralded as the dawn of a new era in Chilean literature, and described by Junot Diaz as a total knockout.
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More About My Documents by Alejandro Zambra; Megan Mcdowell
 
 
 
Overview
Named a best book of 2015 by NPR, "The Boston Globe," and "Electric Literature."
"My Documents" is the latest work from Alejandro Zambra, the award-winning Chilean writer whose first novel was heralded as the dawn of a new era in Chilean literature, and described by Junot Diaz as a total knockout. Now, in his first short story collection, Zambra gives us eleven stories of liars and ghosts, armed bandits and young loversbrilliant portraits of life in Chile before and after Pinochet. The cumulative effect is that of a novelor of eleven brief novels, intimate and uncanny, archived until now in a desktop folder innocuously called " My Documents. " Zambra s remarkable vision and erudition is on full display here; this book offers clear evidence of a sublimely talented writer working at the height of his powers.
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Details
  • ISBN-13: 9781940450520
  • ISBN-10: 1940450527
  • Publisher: McSweeney's
  • Publish Date: April 2015
  • Page Count: 200


Related Categories

Books > Fiction > Literary
Books > Fiction > Short Stories (single author)
Books > Fiction > Hispanic & Latino

 
Publishers Weekly Reviews

Publishers Weekly® Reviews

  • Reviewed in: Publishers Weekly, page .
  • Review Date: 2014-12-22
  • Reviewer: Staff

The title story in Zambra’s (Ways of Going Home) story collection establishes a casual, conversational, self-aware tone: the narrator recalls not informing his parents when he becomes an altar boy, nor telling the priest that he hasn’t gone to confession. In the story, lying doesn’t catch up with this boy so much as isolates him, a common condition among Zambra protagonists, while his mother’s music—the Beatles, Simon and Garfunkel, Chilean easy listening—plays in the background. “Camilo” traces the friendship between two boys, uncovering how their fathers’ friendship ended years before on a soccer field. Soccer is also central to “Thank You,” where Mexico City kidnappers spare the lives of two tourists in honor of Chilean-born Monterrey player Chupete Suazo. The kidnappers’ dialogue (an obscene rant followed by sports analysis) exemplifies Zambra’s humor, and the story’s ending reverberates with his melancholy. Cats play prominent roles in two tales, both about feckless caretakers: a divorced father adopts what he thinks is a male cat until it has kittens; a slacker’s four-month house-sitting stint for his cousin is complicated by a runaway cat. Funny, sad, sometimes rambling and sometimes exact, Zambra’s stories convey with striking honesty what it’s like to be Chilean today: adrift and confused, uncertain of institutions, relationships, or the future. (Feb.)

 
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