He lives in your community, in a nice house with a well-tended garden. He shops in your grocery store, bumping shoulders with you and apologizing with a smile. He drives beside you on the highway, politely waving you into the lane ahead of him. Read more...
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- The Bullet
Mary Louise Kelly
He lives in your community, in a nice house with a well-tended garden. He shops in your grocery store, bumping shoulders with you and apologizing with a smile. He drives beside you on the highway, politely waving you into the lane ahead of him.
What you don't know is that he has an elaborate cage built into a secret basement under his garage. And the food that he's carefully shopping for is to feed a young woman he's holding there against her will--one in a string of many, unaware of the fate that awaits her.
This is how it's been for a long time. It's normal...and it works. Perfectly.
Then he meets the checkout girl from the 24-hour grocery. And now the plan, the hunts, the room...the others. He doesn't need any of them anymore. He needs only her. But just as he decides to go straight, the police start to close in. He might be able to cover his tracks, except for one small problem--he still has someone trapped in his garage.
Discovering his humanity couldn't have come at a worse time.
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2015-01-12
- Reviewer: Staff
A highly unusual serial killer is the star of British author Cameron’s blackly humorous first novel. The nameless narrator first appears to fit the stereotype of a meticulous killer untroubled by normal emotions. He researched 18-year-old Sarah Abbott, who was taking a year off from school before heading to Oxford, killed her in her house, and carefully cleaned up afterward. On returning to his van, however, he discovers that he has locked its keys inside. A brick through the van’s window solves that problem, but later, back at the victim’s house, he runs into a friend of Sarah’s, Erica Shaw, who winds up in a cage in the basement of the narrator’s garage. His bumbling continues throughout. In a big departure from the standard serial killer trope, he begins nonpredatory relationships with three different women. He even falls in love with one of them. Those who have no trouble accepting a humanized serial killer will be most satisfied. Agent: Amy Moore-Benson, AMB Literary Management (Canada). (Mar.)