An affecting and hope-filled posthumous collection of essays and stories from the talented young Yale graduate whose title essay captured the world s attention in 2012 and turned her into an icon for her generation. Read more...
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An affecting and hope-filled posthumous collection of essays and stories from the talented young Yale graduate whose title essay captured the world s attention in 2012 and turned her into an icon for her generation.
Marina Keegan s star was on the rise when she graduated magna cum laude from Yale in May 2012. She had a play that was to be produced at the New York International Fringe Festival and a job waiting for her at the New Yorker. Tragically, five days after graduation, Marina died in a car crash.
As her family, friends, and classmates, deep in grief, joined to create a memorial service for Marina, her unforgettable last essay for the Yale Daily News, The Opposite of Loneliness, went viral, receiving more than 1.4 million hits. She had struck a chord.
Even though she was just twenty-two when she died, Marina left behind a rich, expansive trove of prose that, like her title essay, captures the hope, uncertainty, and possibility of her generation. The Opposite of Loneliness is an assemblage of Marina s essays and stories that, like The Last Lecture, articulates the universal struggle that all of us face as we figure out what we aspire to be and how we can harness our talents to make an impact on the world."
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2013-12-09
- Reviewer: Staff
Journalist and playwright (whose musical Independents was a prize-winning selection in the 2012 New York International Fringe Festival) Keegan’s posthumous collection, with an introduction by Anne Fadiman, serves as a tribute to the author, who died in a car crash in 2012, five days after graduating Yale University. The book illuminates the optimism and neurosis felt by new grads everywhere: “The notion that it’s too late to do anything is comical. It’s hilarious. We’re graduating college. We’re so young.” Though the collection features more fiction than non-, the author’s voice is similar in both. Her essays hide musings about her life and relationships under innocuous subjects: her mother’s over-protectiveness about Keegan’s celiac disease, for example, leads Keegan to a deeper understanding of what it means to be a parent. In her fiction, the thematic preoccupations are closer to the surface, such as the relationship definition problems a girl faces when the boy she was “involved, of course, but not associated ” suddenly dies. Like every millennial who’s seen irony elevated to an art form, Keegan brings self-awareness to the collective insecurity of her peers, even as she captures it with a precision that only comes from someone who feels it too. How unfortunate that she will never know the value readers will find in her work. Agent: Lane Zachary, Zachary Shuster Harmsworth. (Apr.)