Listen to a short interview with Helen VendlerHost: Chris Gondek - Producer: Heron & CraneThe fundamental difference between rhetoric and poetry, according to Yeats, is that rhetoric is the expression of one's quarrels with others while poetry is the expression (and sometimes the resolution) of one's quarrel with oneself.Read more...
Listen to a short interview with Helen VendlerHost: Chris Gondek - Producer: Heron & CraneThe fundamental difference between rhetoric and poetry, according to Yeats, is that rhetoric is the expression of one's quarrels with others while poetry is the expression (and sometimes the resolution) of one's quarrel with oneself. This is where Helen Vendler's "Our Secret Discipline" begins. Through exquisite attention to outer and inner forms, Vendler explores the most inventive reaches of the poet's mind. This book is a space-clearing gesture, an attempt to write about lyric forms in Yeats in unprecedented and comprehensive ways. The secret discipline of the poet is his vigilant attention to forms--whether generic, structural, or metrical. Yeats explores the potential of such forms to give shape and local habitation to volatile thoughts and feelings.
Helen Vendler remains focused on questions of singular importance: Why did Yeats cast his poems into the widely differing forms they ultimately took? Can we understand Yeats's poetry better if we pay attention to inner and outer lyric form? Chapters of the book take up many Yeatsian ventures, such as the sonnet, the lyric sequence, paired poems, blank verse, and others. With elegance and precision, Vendler offers brilliant insights into the creative process and speculates on Yeats's aims as he writes and rewrites some of the most famous poems in modern literature.
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page 56.
- Review Date: 2007-08-20
- Reviewer: Staff
One of the world's most respected poetry critics, and a Harvard professor, Vendler began her career with a short book about W.B. Yeats's prose and plays (Yeats's Vision and the Later Plays). This new monumental study of the technical (and, ultimately, emotional) accomplishment in Yeats's poems represents something close to a life's work: it will surely attract international attention. Like Vendler's The Art of Shakespeare's Sonnets, this volume looks at the way a great poet put individual poems together, and at why “the formal shapes of a temporal art” work as they do. A preliminary chapter looks at form, proportion and meter in three famous poems; later installments consider the progress of the “series of technical investigations” in his sometimes airy, incantatory early verse; the “efforts to combine high and low” speech that marked his ballads; his anxious, and finally majestic, Irish transformations of the originally English-and-Italian sonnet; and his metamorphosis of the eight-line stanza (ottava rima) into a fit motor for the masterpiece “Among School Children.” Vendler's careful book will likely advance the way experts see Yeats, but she also speaks to all the readers who care about the Irish Nobelist's body of poetry, which looks more complex, and more delightful, through Vendler's lens. (Nov.)