In the familiar setting of Holt, Colorado, home to all of Kent Haruf's fiction, Addie Moore pays an unexpected visit to a neighbor, Louis Waters. Read more...
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In the familiar setting of Holt, Colorado, home to all of Kent Haruf's fiction, Addie Moore pays an unexpected visit to a neighbor, Louis Waters. Her husband died years ago, as did his wife, and in such a small town they naturally have long been aware of each other, if not exactly friends; in fact, Addie was quite fond of Louis's wife. His daughter, Holly, lives hours away in Colorado Springs; her son, Gene, even farther away in Grand Junction. What Addie has come to ask--since she and Louis have been living alone for so long in houses now empty of family, and the nights are so terribly lonely--is whether he might be willing to spend them with her, in her bed, so they can have someone to talk with.
Louis is surprised, even shocked, that she would've thought of him, though he soon is brave enough to try, impressed by the courage of her proposal. And so their lives now find a new rhythm and their conversations range freely, if sometimes haltingly, through their personal histories: his work as a high school English teacher; the loss of her teenage daughter, and the harm this did to her marriage as well as their son; his brief affair, as a young husband and father, which Addie had heard about; their youthful aspirations and middle-age disappointments and compromises; the joy both feel in at last being able to express the woof and weave of their experiences. This unusual arrangement, as Addie predicted, provokes local comment, and then the disapproval of their children, and their nightly pattern is further disrupted when her son, whose wife has departed for California, asks Addie to take in his six-year-old son, Jamie, for the summer while he tries to solve his various troubles.
Jamie is confused and hurt, of course, but gradually finds comfort in the company of his grandmother and her friend Louis, neither of whom has spent much time with kids in years but in turn learn how to all over again. Teaching the boy to play catch. Adopting a dog from the local shelter. A camping trip in the mountains, a trip to the county fair, simple pleasures that are a hallmark of Haruf's fiction. As are the things that jeopardize them, from the death of a mutual friend to family tensions that suddenly test Addie and Louis's ability to withstand them. And the subtle denouement then sweeps both of these amazing people forward--heartbreakingly, hearteningly into the unknown.
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2015-03-02
- Reviewer: Staff
Within the first three pages of this gripping and tender novel, Addie Moore, a 70-year-old widow, invites her neighbor, Louis Waters, to sleep over. “No, not sex,” she clarifies. “I’m talking about getting through the night. And lying warm in bed, companionably.” Although Louis is taken off guard, the urgency of Addie’s loneliness does not come across as desperate, and her logic will soon persuade him. She reasons that they’re both alone (Louis’s wife has also been dead for a number of years) and that, simply, “nights are the worst.” What follows is a sweet love story, a deep friendship, and a delightful revival of a life neither of them was expecting, all against the backdrop of a gossiping (and at times disapproving) small town. When Addie’s six-year-old grandson arrives for the summer, Addie and Louis’s relationship is tested but ultimately strengthened. Addie’s adult son’s judgment, however, is not so easily overcome. In this book, Haruf, who died in 2014, returns to the landscape and daily life of Holt County, Colo., where his previous novels (Plainsong, Eventide, The Tie That Binds) have also been set, this time with a stunning sense of all that’s passed and the precious importance of the days that remain. (May)