Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2015-09-28
- Reviewer: Staff
llustrator DeGraff has created a collection of maps that are paired with essays by Harmon (Super Pop!), illuminating classic works of literature in fun and appealing new ways. Through these intricate and inventive illustrations, DeGraff seeks to create visual representations for some of his favorite works that "provide a sense of contoursometimes literal and sometimes metaphorical." Many of the stories depicted are from classic works of children's literature (such as The Adventures of Huckleberry Finn and A Wrinkle in Time), and all are plotted intricately with vibrant colors. DeGraff also includes sophisticated renderings from the works of Shakespeare, Kafka, Borges, Homer, Austen, and Verne. Some representations are maps in the common sense, with DeGraff tracing the movements of Odysseus around the Mediterranean, Scrooge and company around London, or Hamlet et al. through the rooms of Elsinore castle. Some feature diagrams, such as the depiction of the Pequod from Moby Dick, while others are more abstract; DeGraff plots the romantic courses of the characters of Pride and Prejudice in an intertwined rollercoaster-like structure. Harmon's brief ruminations on these works add an additional dimension to the maps. This is a rewarding excursion across the literary landscape that will be cherished by map enthusiasts as well as bibliophiles. Color illus. (Oct.)
Sweet holiday selections for serious readers
Merry and bright: that’s the forecast for bibliophiles this holiday season. Inspired gift ideas for lovers of literature are as plentiful as snowflakes in December. Our top recommendations are featured here.
OUR BELOVED DETECTIVE
Sir Arthur Conan Doyle introduced Sherlock Holmes to the world in 1887 in A Study in Scarlet, a novel for which he earned £25—not even peanuts compared to the bucks being generated by the lucrative sleuth today. Somehow, a century and a quarter after his debut, the detective has become an entertainment-industry titan as the star of a successful movie franchise and two popular TV series. Doyle’s detective is undoubtedly having a moment, so the timing couldn’t be better for The Sherlock Holmes Book, a handsomely illustrated volume that provides background on every case Holmes ever faced, starting with A Study in Scarlet and ending with The Adventure of Shoscombe Old Place. Each case is accompanied by an easy-to-follow flowchart, which breaks down the deductive process Holmes used to crack it. In-depth character profiles, a Doyle biography and fascinating chapters on forensic science make this the ultimate Sherlock scrapbook. It’s a must-have for devotees of the great detective.
BIBLIOPHILES TRAVEL GUIDE
Perfect for the armchair traveler or the reader who enjoys hitting the road, Shelley Fisher Fishkin’s Writing America: Literary Landmarks from Walden Pond to Wounded Knee is a meticulously researched, beautifully written survey of the nation’s most beloved literary sites. From the Walt Whitman Birthplace in Huntington Station, New York, to the Sinclair Lewis Boyhood Home in Sauk Centre, Minnesota, the dream destinations of every book lover are included in this fascinating tour. Along with stops at familiar spots like Hannibal, Missouri, and Walden Pond, the narrative includes visits to South Dakota’s Pine Ridge Reservation and sites in South Texas. Fishkin considers the storytelling traditions of these and other parts of the country, highlighting the great writers native to each, and the result is a vivid mosaic of the cultures, voices and geographies that inform America’s literary inheritance. Packed with photographs, this book features more than 150 National Register historic sites. It’s the ultimate trip advisor for lovers of literature and history.
CHARTING THE CLASSICS
In Plotted: A Literary Atlas, Andrew DeGraff interprets classic narratives as maps. Not the Google kind, mind you. DeGraff isn’t a conventional cartographer, he’s an artist, and his maps—subjective, frequently surreal topographic renderings of narratives both epic (Moby-Dick) and miniature (“A Good Man Is Hard to Find”)—rather than orienting the viewer, often have the opposite effect. DeGraff’s depictions defamiliarize well-known works, uncovering facets the reader never imagined. In his treatment of Hamlet, he tracks the path of the prince’s madness as it contaminates the palace of Elsinore. Inspired by the social factors at play in Pride and Prejudice, he maps the novel as a series of precarious catwalks between family estates. In all, DeGraff charts 30 narratives. He’s a genius at identifying and connecting a work’s key coordinates, then using them as the basis for remarkable visualizations. Each of his colorful, ingenious maps is accompanied by an introductory essay. With Plotted, he guides literature lovers off the beaten path and into newly charted territory.
THE MARCH CLAN REVISITED
There’s comfort to be found in the pages of a classic. A tried-and-true title holds out the promise of pleasure to a reader and never fails to keep the contract. Case in point: Little Women by Louisa May Alcott—surely one of the most reread works in all of American literature. The story of the March sisters, first published in 1868-69, receives the royal treatment in The Annotated Little Women, a deluxe edition of the novel filled with rare photographs, illustrations and other Alcott-related memorabilia. This lavish volume features notes and an introduction by John Matteson, who won a Pulitzer Prize for Eden’s Outcasts: The Story of Louisa May Alcott and Her Father. Matteson offers insights into the author’s creative life and provides context for the novel, finding new dimensions in the familiar classic. Arriving in time for Christmas—the same holiday the Marches celebrate so memorably in the opening chapters of Little Women—this treasure trove of a book is the perfect gift for bibliophiles who fancy old favorites.
We may be living in an age of featherweight laptops and magic tablets, but the typewriter—that clunky classic—remains the most literary device of all. It’s an icon of the writing life, the truest emblem of an author (nothing says “vagabond novelist” like an Olivetti or Underwood). Journalist Tony Allan honors the PC’s stately precursor in Typewriter: The History, The Machines, The Writers. Providing a compact overview of the instrument’s evolution, Allan’s quirky volume is filled with typewriter trivia, retro posters and ads, vintage photos of classic machines and quotes—now golden—from those who pecked their way to fame (including, of course, Ernest Hemingway: “There is nothing to writing. All you do is sit down at a typewriter and bleed.”). With a foreword by Paul Schweitzer, owner of the Gramercy Typewriter Company, this uncommon little stocking stuffer is the sort of thing literary types live for.