Margaretha has always been a romantic, and hopes her newest suitor, Lord Claybrook, is destined to be her one true love. But then an injured man is brought to Hagenheim Castle, claiming to be an English lord who was attacked by Claybrook and left for dead.Read more...
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Margaretha has always been a romantic, and hopes her newest suitor, Lord Claybrook, is destined to be her one true love. But then an injured man is brought to Hagenheim Castle, claiming to be an English lord who was attacked by Claybrook and left for dead. And only Margaretha--one of the few who speaks his language--understands the wild story.
Margaretha finds herself unable to pass Colin's message along to her father, the duke, and convinces herself "Lord Colin" is just an addled stranger. Then Colin retrieves an heirloom she lost in a well, and asks her to spy on Claybrook as repayment. Margaretha knows she could never be a spy--not only is she unable to keep anything secret, she's sure Colin is completely wrong about her potential betrothed. Though when Margaretha overhears Claybrook one day, she discovers her romantic notions may have been clouding her judgment about not only Colin but Claybrook as well. It is up to her to save her father and Hagenheim itself from Claybrook's wicked plot.
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2014-09-22
- Reviewer: Staff
Dickerson (The Healer’s Apprentice) is off her game in this medieval historical romance set in early 15th-century Germany. Margaretha, the eponymous princess, is being wooed by the English noble Rowland Fortescue, Earl of Claybrook, whose foppish hats she rather dislikes. Into Margaretha’s German stronghold arrives an injured Englishman, Colin le Wyse, whose situation is tied to Claybrook. Colin’s startling disclosures force Margaretha to spy on her potential betrothed and act to save her family, as Colin and the princess slowly develop a relationship of warmth and trust. Title notwithstanding, the princess doesn’t do a lot of spying, and the potential for adventure in the story is underdeveloped. The Snidely Whiplash of a villain is portrayed with a painful lack of subtlety, and Margaretha is similarly characterized by stereotype (she is repeatedly referred to as a talkative flibbertigibbet, though more evidence is provided of her resourcefulness than of her flightiness). Sparks between Margaretha and Colin are well-rendered, but not enough to redeem a by-the-numbers story. Ages 15–up. Agency: Books & Such Literary Agency. (Nov.)■