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Overview - When fourteen-year-old Mattie Sullivan asks Spenser to look into her mother's murder, he's not completely convinced by her claim that the police investigation four years ago was botched. Mattie is gruff, street-smart, and wise beyond her years, left to care for her younger siblings and an alcoholic grandmother in a dilapidated apartment in South Boston.  Read more...

 

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Overview
When fourteen-year-old Mattie Sullivan asks Spenser to look into her mother's murder, he's not completely convinced by her claim that the police investigation four years ago was botched. Mattie is gruff, street-smart, and wise beyond her years, left to care for her younger siblings and an alcoholic grandmother in a dilapidated apartment in South Boston. But her need for closure and her determination to make things right hit Spenser where he lives- they're the very characteristics he abides by.
Mattie believes the man convicted of the crime is innocent and points Spenser to the Southie toughs who she saw carrying her mother away hours before her murder. Neither the Boston PD nor the neighborhood thugs are keen on his dredging up the past, but as Spenser becomes more involved in the case, he starts to realize that Mattie may be onto something. Spenser will need Hawk's help to find peace for Mattie - a job that's more dangerous than he ever thought.

 
Details
  • ISBN-13: 9780399158032
  • ISBN-10: 0399158030
  • Publish Date: April 2012


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Publishers Weekly Reviews

Publishers Weekly® Reviews

  • Reviewed in: Publishers Weekly, page .
  • Review Date: 2012-03-12
  • Reviewer: Staff

Even the most fanatical Parker fans would be hard pressed to identify any aspect of this Spenser novel that doesn’t read as if it were penned by Spenser’s late creator. Mattie Sullivan, a street-hardened 14-year-old, asks the Boston PI to solve a cold case—the stabbing murder, four years earlier, of her mother, Julie, even though a male friend of Julie’s is doing time for the killing. Mattie witnessed two drug dealers hustle her mom into a car, but couldn’t get anyone to take her seriously. Spenser accepts the assignment from the endearingly feisty Mattie, agreeing to be paid in doughnuts. Atkins (The Devil’s Garden) hits all the familiar marks—bantering scenes with Spenser’s girlfriend, fisticuffs, heavy-duty backup from the dangerous Hawk—as he offers familiar pleasures. At the same time, he breaks no new ground, avoiding the risk of offending purists and the potential rewards of doing something a bit different with the characters. Agents: Helen Brann, the Helen Brann Agency, and Esther Newberg, ICM. (May)

 
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