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Rotters
by Daniel Kraus and Kirby Heyborne

Overview -

Grave-robbing. What kind of monster would do such a thing? It's true that Leonardo da Vinci did it, Shakespeare wrote about it, and the resurrection men of nineteenth-century Scotland practically made it an art. But none of this matters to Joey Crouch, a sixteen-year-old straight-A student living in Chicago with his single mom.  Read more...



 

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More About Rotters by Daniel Kraus; Kirby Heyborne
 
 
 
Overview

Grave-robbing. What kind of monster would do such a thing? It's true that Leonardo da Vinci did it, Shakespeare wrote about it, and the resurrection men of nineteenth-century Scotland practically made it an art. But none of this matters to Joey Crouch, a sixteen-year-old straight-A student living in Chicago with his single mom. For the most part, Joey's life is about playing the trumpet and avoiding the daily humiliations of high school.

Everything changes when Joey's mother dies in a tragic accident and he is sent to rural Iowa to live with the father he has never known, a strange, solitary man with unimaginable secrets. At first, Joey's father wants nothing to do with him, but once father and son come to terms with each other, Joey's life takes a turn both macabre and exhilarating.

Daniel Kraus's masterful plotting and unforgettable characters make Rotters a moving, terrifying, and unconventional epic about fathers and sons, complex family ties, taboos, and the ever-present specter of mortality.




From the Hardcover edition.

 
Details
  • Publisher: Listening Library
  • Date: Apr 2011
 
Excerpts

From the book


1.

My father's name was Ken Harnett. I was told by my caseworker from the Department of Children and Family Services that she had tracked him down in a small town in Iowa not far from the Mississippi River, not even five hours away from Chicago. My caseworker, a young woman named Claire, was proud of the discovery. When she had told me after my mother's funeral that she was giving top priority to the search, it had sounded like one of those things she was required to say. I think I nodded and maybe even smiled. It never occurred to me that Claire would succeed. I don't think it occurred to her, either.

I tried to imagine what he looked like; I subtracted my mother's features from my own. The exercise was not only futile, it was boring. I didn't care. He was not real, at least not to me. Even the name felt fabricated. My last name was Crouch. I knew no Harnetts and had never met anyone named Ken. Such thoughts compelled me to fish out my passport and consider the moronic face staring back at me. I'd had the passport all my life, a childhood gift that made little sense; perhaps there had been a time when my mother had fantasized that we might leave the confines not only of the city but of the country as well. Over the years, I had taken it upon myself to renew the passport as a personal promise that I would not turn out like her, that one day I would see the world, any world. If I used it now, right now, maybe I could escape this faceless father.

Claire was assigned to my case the same day that my mother went under all eight wheels of the bus. Death was instantaneous, though the paperwork wasn't signed until about noon. Around dinnertime, the intercom buzzed and I asked who was there and it was a woman's voice that was not my mother's. Our speaker was crap, so I went downstairs to see who it was and it was a pretty Asian girl with a pixie cut and purple fingernails, possibly still in her twenties, and suddenly it didn't matter if she was homeless or a Jehovah's Witness or planned on pressing a knife to my throat. All I could think of was how stupid I looked with my Kool-Aid-stained tee and pleated shorts. Not that my attire mattered much: I was short and scrawny and not anyone people spent time looking at, and I knew I was kidding myself that this female, any female, saw me as anything but a blur of pimpled flesh and uncooperative brown hair. "Your mother has died," she said. She said it before introducing herself, and I couldn't help considering my reaction almost abstractly. There was an attractive young woman at my door; masculine protocol required that I not cry. It was tough, and got tougher as the night progressed, and I found myself wishing that Claire were less cute, much older, and had, for instance, a mustache.

Claire attended the wake and the funeral. I guess it was part of her job. My best friend, Boris Watson, met her for the first time there, and was as disheartened as I by her inappropriate good looks. The two of them shook hands, her grip businesslike and warm, his limp and humiliated, and I realized that, with my mother gone, this mismatched pair was all I had left. It did not bode well that their handshake was short, their conversation strained and doomed.

The service took place at our usual church with our usual pastor--my mother had taken me there almost every Sunday of my life. I don't know who arranged the funeral details and chose the casket or where exactly the money came from to pay for the service and flowers. Claire surely knew; maybe Boris knew, too. I was steered around, sometimes literally by the shoulders, from a hospital morgue to...

 
Reviews

"As suspenseful and masterfully told as it is gruesome and terrifying. You'd be hard-pressed to find a coming-of-age story as satisfying as this." - Cory Doctorow, author of Little Brother and coeditor of Boing Boing

"Grueling, demented, and so crammed with noxious awesomeness that I had to read it twice." - Scott Westerfeld, author of the Uglies series

"This is an unforgettable book. An unforgettable character . . . and an adventure that leads to unforgettable HORROR. I loved it!" - R. L. Stine

"A multi-layered, complex novel that pulls no punches. Terrific!" - Rick Yancey, author of The Monstrumologist

"Uncompromising, dark, and true." - Guillermo Del Toro, coauthor of the Strain Trilogy and director of Hellboy and Pan's Labyrinth, and

"A cerebral romp through a fascinating, revolting underworld."--Kirkus Reviews
"One of the darkest, wildest, most unsettling adolescent novels I've ever come across. . . . Kraus is absolutely original." - The Millions

"A new horror classic." - Fangoria

 
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