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Sandy's Circus : A Story about Alexander Calder
by Tanya Lee Stone and Boris Kulikov


Overview - As a boy, Alexander ?Sandy? Calder was always fiddling with odds and ends, making objects for friends. When he got older and became an artist, his fiddling led him to create wire sculptures. One day, Sandy made a lion. Next came a lion cage. Before he knew it, he had an entire circus and was traveling between Paris and New York performing a brand-new kind of art for amazed audiences.  Read more...

 
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More About Sandy's Circus by Tanya Lee Stone; Boris Kulikov
 
 
 
Overview
As a boy, Alexander ?Sandy? Calder was always fiddling with odds and ends, making objects for friends. When he got older and became an artist, his fiddling led him to create wire sculptures. One day, Sandy made a lion. Next came a lion cage. Before he knew it, he had an entire circus and was traveling between Paris and New York performing a brand-new kind of art for amazed audiences.

This is the story of Sandy's Circus, as told by Tanya Lee Stone with Boris Kulikov's spectacular and innovative illustrations. Calder's original circus is on permanent display at the Whitney Museum in New York City.


 
Details
  • ISBN-13: 9780670062683
  • ISBN-10: 0670062685
  • Publisher: Viking Children's Books
  • Publish Date: September 2008
  • Page Count: 32
  • Reading Level: Ages 6-8


Related Categories

Books > Juvenile Nonfiction > Biography & Autobiography - Art
Books > Juvenile Nonfiction > Art - Sculpture

 
Publishers Weekly Reviews

Publishers Weekly® Reviews

  • Reviewed in: Publishers Weekly, page 67.
  • Review Date: 2008-09-15
  • Reviewer: Staff

Stone (Elizabeth Leads the Way) gives top billing to a minor but well-chosen aspect of Alexander (Sandy) Calder's distinguished career in a biography that kids can easily connect with. Her Sandy has not yet invented the mobile, but has combined a documented love of making things with a two-week stint drawing the Ringling Brothers circus for a New York paper: the next year, 1926, in Paris, his circus of miniature moveable performers is born. The author gracefully communicates the artist's resourcefulness and sense of play: “His huge hands worked with tiny pieces of wire, cork, cloth, buttons, yarn.... He twisted and shaped and curled and cut and curved until... Sandy was ready to put on a big-top circus show!” Kulikov (Fartiste) experiments with proportion and scale. Elements are often shown in black-and-white, as if sketched out and superimposed on full-color paintings. Spreads bring readers eye to eye with diminutive circus actors as Calder's gargantuan-seeming hands reach out from the shadows to control them. A classical muse, paint palette in hand, floats over scenes of a giant, suitcase-toting Calder tromping between the shrunken black-and-white skylines of Paris and New York City. Suggestive of Calder's whimsy. Ages 6–up. (Sept.)

 
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