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Sharks in the Rivers
by Ada Limon


Overview - The speaker in this extraordinary collection finds herself multiply dislocated: from her childhood in California, from her family s roots in Mexico, from a dying parent, from her prior self. The world is always in motion both toward and away from usand it is also full of risk: from sharks unexpectedly lurking beneath estuarial rivers to the dangers of New York City, where, as Limon reminds us, even rats find themselves trapped by the garbage cans they ve crawled into.  Read more...

 
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More About Sharks in the Rivers by Ada Limon
 
 
 
Overview
The speaker in this extraordinary collection finds herself multiply dislocated: from her childhood in California, from her family s roots in Mexico, from a dying parent, from her prior self. The world is always in motion both toward and away from usand it is also full of risk: from sharks unexpectedly lurking beneath estuarial rivers to the dangers of New York City, where, as Limon reminds us, even rats find themselves trapped by the garbage cans they ve crawled into. In such a world, how should one proceed? Throughout "Sharks in the Rivers," Limon suggests that we must cleave to the world as it keep s] opening before us, for, if we pay attention, we can be one with its complex, ephemeral, and beautiful strangeness. Loss is perpetual, and each person s mouth is the same / mouth as everyone s, all trying to say the same thing. For Limon, it s the sayingindividual and collective that transforms each of us into a wound overcome by wonder, that allows the wind itself to be our own wild whisper. "

 
Details
  • ISBN-13: 9781571314383
  • ISBN-10: 1571314385
  • Publisher: Milkweed Editions
  • Publish Date: October 2010
  • Page Count: 95


Related Categories

Books > Poetry > American - Hispanic American

 
Publishers Weekly Reviews

Publishers Weekly® Reviews

  • Reviewed in: Publishers Weekly, page .
  • Review Date: 2010-06-28
  • Reviewer: Staff

Vigor, intensity, and informality mark the volatile free verse of this third collection from Limón (this big fake world), who pays homage at once to the dangers in this world (and in the lives of her sometimes ill-fated acquaintances) and to the desires that drive us on. One page hopes ""to be utterly lost","" "to hide underneath Highway Twelve/ and listen to the automobiles go by"" another implores, " "Sumptuous mountain, midnight milkweed,/ come to the valley of neon and no-crying." Her sensibility draws her to wild landscapes of the West: California's Russian River, backcountry Washington State, and the Rio Grande valley, where Aztec myths seem at home in our day: of interest to some for the poet's Latino heritage, these sinewy odes, sexy glimpses ("my invisible birds are still intact") and visionary reminiscences should also appeal to readers who treasure the work of Jack Gilbert. Her lyric sequences use their power to scare, but also to reassure: "Don't worry," Limón declares, "I don't believe that hummingbirds are in love with me,/ no gods are ever in love with us." She has, the poems say, been in love herself--with people, mountains, and with day and with the night in which "The swinging sky patterns/ itself after the inside of a giant quiver." (Oct.)

 
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