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TV (the Book) : Two Experts Pick the Greatest American Shows of All Time
by Alan Sepinwall and Matt Zoller Seitz


Overview - Is The Wire better than Breaking Bad ? Is Cheers better than Seinfeld ? What's the best high school show ever made? Why did Moonlighting really fall apart? Was the Arrested Development Netflix season brilliant or terrible?  Read more...

 
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More About TV (the Book) by Alan Sepinwall; Matt Zoller Seitz
 
 
 
Overview
Is The Wire better than Breaking Bad? Is Cheers better than Seinfeld? What's the best high school show ever made? Why did Moonlighting really fall apart? Was the Arrested Development Netflix season brilliant or terrible?
For twenty years-since they shared a TV column at Tony Soprano's hometown newspaper-critics Alan Sepinwall and Matt Zoller Seitz have been debating these questions and many more, but it all ultimately boils down to this:
What's the greatest TV show ever?
That debate reaches an epic conclusion in TV (THE BOOK). Sepinwall and Seitz have identified and ranked the 100 greatest scripted shows in American TV history. Using a complex, obsessively all- encompassing scoring system, they've created a Pantheon of top TV shows, each accompanied by essays delving into what made these shows great. From vintage classics like The Twilight Zone and I Love Lucy to modern masterpieces like Mad Men and Friday Night Lights, from huge hits like All in the Family and ER to short-lived favorites like Firefly and Freaks and Geeks, TV (THE BOOK) will bring the triumphs of the small screen together in one amazing compendium.
Sepinwall and Seitz's argument has ended. Now it's time for yours to begin

 
Details
  • ISBN-13: 9781455588190
  • ISBN-10: 1455588199
  • Publisher: Grand Central Publishing
  • Publish Date: September 2016
  • Page Count: 432


Related Categories

Books > Humor > General
Books > Performing Arts > Television - Guides & Reviews
Books > Performing Arts > Television - History & Criticism

 
Publishers Weekly Reviews

Publishers Weekly® Reviews

  • Reviewed in: Publishers Weekly, page .
  • Review Date: 2016-07-18
  • Reviewer: Staff

Two of today’s best writers on television, Sepinwall (The Revolution Was Televised) and Seitz (Mad Men Carousel), join forces to rank the 100 greatest series in TV history. Within defined parameters (American shows, narrative fiction, complete runs—with minimal exceptions), both authors use a 10-point scale to score across six criteria (innovation, influence, consistency, performance, storytelling, peak) in order to determine ranking. They also include essays for each selected show (some essays cover multiple shows) and synopses highlighting themes, strengths, and weaknesses instead of linear plot points (though plot spoilers are sometimes included). The authors write as both incisive cultural critics and enthusiastic fans. Their essays will no doubt inspire debate and the reading equivalent of binge watching, with readers promising themselves to put the book down after just one more essay, but finding the lure of the next too attractive. Sepinwall and Seitz also include lists of great shows still running (therefore ineligible); of random TV bests (theme songs, cliffhangers, mustaches, etc.); of shows that they esteem, but that didn’t make the cut; and of miniseries, made-for-TV movies, and filmed plays from TV’s early days. The result is a treasure trove for TV fans. Agent: Amy Williams, the Williams Company. (Sept.)

 
BookPage Reviews

Tinseltown treats to put under the tree

For TV and film lovers, this year’s crop of books offer fun “best of” rankings, behind-the-scenes tours, photos from the vaults of Hollywood A-listers, touching tributes and more.

TOP PICKS IN TV
Is “The Simpsons” really the best TV show ever? Does “Deadwood” belong in the top 10? Is “The Larry Sanders Show” TV’s most influential series? Readers will be fighting for the remote and cruising Netflix to see how their picks compare with those of authors Alan Sepinwall and Matt Zoller Seitz, who name the greatest American shows of all time in TV (The Book). In choosing the greatest scripted comedies and dramas, criteria included innovation, influence and storytelling. The bulk of the nods are for shows from the ’80s (when TV first hit its artistic stride, per the authors) through today. Still, “I Love Lucy” makes their top 10.

PIONEERING LEADING LADIES
For fans of Hollywood’s Golden Age, there are lavish, large-format celebrations of two indelible leading ladies. Audrey: The 50s tracks the early years of Audrey Hepburn’s career. Author David Wills utilizes his own photo archives to spotlight the actress and her movies, her relationships with colleagues (her Roman Holiday co-star Gregory Peck called her “a magical combination of high chic and high spirits”) and her undeniable impact on fashion, a Hepburn legacy that began with Sabrina. This carefully curated photographic retrospective contains restored shots of Hepburn from a decade of acting on sets like Funny Face and The Nun’s Story, with snippets from her interviews and charming candids of Hepburn at home. Audrey is a great gift for fashion and film lovers alike.


Hepburn on the set of Sabrina courtesy of Wills' collection.

Natalie Wood (Turner Classic Movies): Reflections on a Legendary Life is the first family-authorized book about the Oscar-nominated actress who starred in classics including Miracle on 34th Street, Rebel Without a Cause and West Side Story. Authored by Manoah Bowman with Natasha Gregson Wagner, Wood’s eldest daughter, this book has a straightforward agenda: to restore Wood’s legacy. As the opening chapter notes, her “accidental death” in 1981 has for too long overshadowed her life. Moving chronologically through her life and career, the chapters feature remembrances from various colleagues, friends and family. Fans will love the shots of Wood on the set of the iconic Rebel Without a Cause and other favorites like Splendor in the Grass, along with her magazine covers, wedding photos and never-before-seen images from her family’s private collection. An introduction penned by Robert Wagner, to whom she was famously twice married; her friend Robert Redford’s brief afterword; and a special chapter on the making of West Side Story make this a standout tribute.

FILMMAKING FINESSE
Let’s not forget the filmmakers. The Oliver Stone Experience is appropriately hefty, with 500 color photos and illustrations, including facsimiles of script pages and correspondence. This dramatically designed book looks at the life and work of one of Hollywood’s most audacious, controversial artists. Author Matt Zoller Seitz (co-author of the aforementioned TV) and Stone participate in a probing Q&A that provides an engaging through line in the book.

Stone doesn’t hold back about his privileged upbringing, his relationships with his parents and women, behind-closed-doors Hollywood dealings, how Vietnam changed his worldview and more. 

In the preface, Seitz states that this isn’t just a portrait of the director responsible for iconic films such as Scarface, Platoon, Wall Street, JFK and the loony Natural Born Killers, but a celebration of one of America’s film titans. The book wraps with Snowden, Stone’s latest eyebrow-raising and politically charged title. Love him or loathe him, his movies are never boring and neither is this book. For Stone’s followers, it’s a must-have.

IT'S "FRON-KEN-STEEN"
On the lighter side is Young Frankenstein, a collection of photos and ruminations about one of the funniest movies ever made. Written by beloved crazy man Mel Brooks, it’s got behind-the-scenes surprises plus never-before-seen art. Brooks’ voice comes through in his writing, and like the movie, it’s both distinctive and hilarious.

The 1974 film Young Frankenstein was the brainchild of the late Gene Wilder, who played Dr. Frederick Frankenstein. Their teamup, says Brooks, was “a fierce collaboration” marked by an especially big fight involving Wilder’s desire to have the movie’s monster perform the song and dance number, “Puttin’ on the Ritz.” If you’ve seen the film, you know who won that one.

In the book’s introduction, contemporary comedy king Judd Apatow calls the film “the comedy equivalent of ‘Sgt. Pepper’ or The Great Gatsby, or the ’86 New York Mets.” He won’t get any arguments.

 

This article was originally published in the December 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

 
BAM Customer Reviews