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This Is All a Dream We Dreamed : An Oral History of the Grateful Dead
by Blair Jackson and David Gans


Overview -

In "This Is All a Dream We Dreamed," two of the most well-respected chroniclers of the Dead, Blair Jackson and David Gans, reveal the band s story through the words of its members, their creative collaborators and peers, and a number of diverse fans, stitching together a multitude of voices into a seamless oral tapestry.  Read more...


 
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More About This Is All a Dream We Dreamed by Blair Jackson; David Gans
 
 
 
Overview

In "This Is All a Dream We Dreamed," two of the most well-respected chroniclers of the Dead, Blair Jackson and David Gans, reveal the band s story through the words of its members, their creative collaborators and peers, and a number of diverse fans, stitching together a multitude of voices into a seamless oral tapestry. Capturing the ebullient spirit at the group s core, Jackson and Gans weave together a musical saga that examines the music and subculture that developed into its own economy, touching fans from all walks of life, from penniless hippies to celebrities, and at least one U.S. vice president.

This definitive book traces the Dead s evolution from its humble beginnings as a folk/bluegrass band playing small venues in Palo Alto to the feral psychedelic warriors and stadium-filling Americana jam band that blazed all the way through to the 90s. Along the way, we hear from many who were touched by the Dead from David Crosby and Miles Davis, to Ken Kesey, Carolyn Mountain Girl Garcia, and a host of Merry Pranksters, to legendary concert promoter Bill Graham, and others.

Throughout their journey the Dead broke (and sometimes rewrote) just about every rule of the music business, defying conventional wisdom and charting their own often unusual course, in the process creating a business model unlike any seen before. Musically, too, they were pioneers, fusing inspired ideas and techniques with intuition and fearlessness to craft an utterly unique and instantly recognizable sound. Their music centered on collective improvisation, spiritual and social democracy, trust, generosity, and fun. They believed that you can make something real, spontaneous, and compelling happen with other musicians if you trust and encourage each other, and jam as if your life depended on it. And when it worked, there was nothing else like it.

Whether you re part of the new generation of Deadheads who are just discovering their music or a devoted fan who has traded Dead tapes for decades, you will want to listen in on the irresistible conversations and anecdotes shared in these pages. You ll hear stories you haven t heard before, possibly from voices that may be unfamiliar to you, and the tales that unfold will shed a whole new light on a long and inspiring musical odyssey."

 
Details
  • ISBN-13: 9781250058560
  • ISBN-10: 1250058562
  • Publisher: Flatiron Books
  • Publish Date: November 2015
  • Page Count: 512
  • Dimensions: 9.3 x 6.5 x 1.6 inches
  • Shipping Weight: 1.6 pounds


Related Categories

Books > Music > Genres & Styles - Rock
Books > Music > Individual Composer & Musician

 
Publishers Weekly Reviews

Publishers Weekly® Reviews

  • Reviewed in: Publishers Weekly, page .
  • Review Date: 2015-07-27
  • Reviewer: Staff

This epic oral history of the 50-year-old band is timed to coincide with five massively hyped “Fare Thee Well” concerts. The straightforward approach by Jackson and Gans (who collectively boast almost 80 years of Grateful Dead journalism) uses multiple perspectives to tell the story of a group that began as a San Francisco jug band of penniless hippies, morphed through multiple musical incarnations, and created a colorful psychedelic subculture. The more than 100 voices here include members of the Dead—including deceased guitarist/de facto leader Jerry Garcia, and keyboardists Ron “Pigpen” McKernan and Brent Mydland—and their collaborators as well as business partners and fans. Jackson and Gans relied on new and archival interviews, as well as other published and unpublished sources. To their credit, the authors focus as much on the creation, recording, and marketing of music as they do on the ingestion of hallucinogens. The result is a solid, engaging chronicle. Agent: Sandy Choron, March Tenth. (Nov.)

 
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