Long known for his range and supple prose (he is the only writer elected to membership in both the Baseball Hall of Fame and the American Academy of Arts and Letters), Angell won the 2015 American Society of Magazine Editors Best Essay award for This Old Man, which forms a centerpiece for this book. Read more...
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Long known for his range and supple prose (he is the only writer elected to membership in both the Baseball Hall of Fame and the American Academy of Arts and Letters), Angell won the 2015 American Society of Magazine Editors Best Essay award for This Old Man, which forms a centerpiece for this book. This deeply personal account is a survey of the limitations and discoveries of great age, with abundant life, poignant loss, jokes, retrieved moments, and fresh love, set down in an informal and moving fashion. A flood of readers from different generations have discovered and shared this classic piece.
Angell s fluid prose and native curiosity make him an amiable and compelling companion on the page. The book gathers essays, letters, light verse, book reviews, Talk of the Town stories, farewells, haikus, Profiles, Christmas greetings, late thoughts on the costs of war. Whether it s a Fourth of July in rural Maine, a beloved British author at work, Derek Jeter s departure, the final game of the 2014 World Series, an all-dog opera, editorial exchanges with John Updike, or a letter to a son, what links the pieces is the author s perceptions and humor, his utter absence of self-pity, and his appreciation of friends and colleagues writers, ballplayers, editors, artists encountered over the course of a full and generous life."
- ISBN-13: 9780385541138
- ISBN-10: 0385541139
- Publisher: Doubleday Books
- Publish Date: November 2015
- Page Count: 320
- Dimensions: 8.4 x 6.3 x 1.1 inches
- Shipping Weight: 1.1 pounds
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2015-09-07
- Reviewer: Staff
The latest collection of writings from New Yorker fiction editor Angell is anchored by his much-lauded rumination on aging, This Old Man. At 94, Angell is a witness to history but hardly a relic of the past. He always seems to know when to drop a reference to Harry Potter or David Big Papi Ortiz. The book is filled with many of Angells timeless subjects: baseball; aging; his stepfather, E.B. White; and life inside the publication that has dominated his life. Just as he is adept at changing subjects, so is he at changing forms, including a little bit of everything in this collectionhe calls the resulting mixture a dogs breakfast. Angell is equally at ease writing annual Christmas poems, witty internal memos, letters, haiku, speeches, literary essays, and casuals. His tribute to John Updike, with whom he worked for decades, is a touching portrait of the man as both friend and literary legend. Having written for the New Yorker since 1944, during the tenure of its founder, Harold Ross, Angell can write about it with a true sense of the magazines history. There is a reason why nostalgia feels so comfortingand Angell represents the best sort of writing about the remembrance of things past. Agent: Amanda Urban, ICM. (Nov.)
Looking back at a literary life
Roger Angell, now 94, has had an extraordinary life. A longtime fiction editor of The New Yorker and one of the best-ever writers on baseball, he is the only writer elected to both the American Academy of Arts and Letters and the Baseball Hall of Fame. His wonderful new collection, This Old Man: All in Pieces, is, he says, a grab bag, a portrait of his brain at this point in his life. The title piece, a moving and personal account of aging, received the 2014 prize for best essay from the American Society of Magazine Editors.
“Getting old is the second biggest surprise of my life, but the first, by a mile, is our unceasing need for deep attachment and intimate love,” Angell writes. “We oldies yearn daily and hourly for conversation and a renewed domesticity, for company at the movies or while visiting a museum, for someone close by in the car when coming home at night.”
Some of my favorite selections are about writers. Angell reflects on the 20,000 or so manuscripts he has rejected over the years and addresses many misunderstandings about fiction, pointing out that there is no one way to write a story or to edit one for publication. He notes that his fellow fiction editors were very much alike in their passion for their work, but each went about the job differently. His own approach is to constantly ask tough questions about such things as clarity and tone, and, at the end, to ponder “Is it good enough? And is it any good at all?” In a postlude he writes, “[E]diting, I think remains a mystery to the world. Sometimes it even mystified me.”
“Writing is hard,” he says, “even for authors who do it all the time.” He remembers his stepfather, E.B. White, rarely being satisfied with what he had written, sometimes commenting after sending his copy to The New Yorker: “It isn’t good enough. I wish it were better.” Angell need not worry about his own writing in this eloquent collection. It shares and illuminates and entertains in a variety of ways and is a reader’s delight.