Overview - Translated by Pulitzer Prize-winning author Jhumpa Lahiri, Ties is a compulsively readable and provocative novel about marriage and family by one of Italy's bestselling novelists. Like many marriages, Vanda and Aldo's has been subject to strain, to attrition, to the burden of routine. Read more...
More About Ties by Domenico Starnone; Jhumpa Lahiri
Translated by Pulitzer Prize-winning author Jhumpa Lahiri, Ties
is a compulsively readable and provocative novel about marriage and family by one of Italy's bestselling novelists.
Like many marriages, Vanda and Aldo's has been subject to strain, to attrition, to the burden of routine. Yet it has survived intact. Or so things appear. The rupture in their marriage lies years in the past, but if one looks closely enough, the fissures and fault lines are evident. It is a cracked vase that may shatter at the slightest touch. Or perhaps it has already shattered, and nobody is willing to acknowledge the fact.
Domenico Starnone's thirteenth work of fiction is a powerful short novel about relationships, family, love, and the ineluctable consequences of one's actions. Known as a consummate stylist and beloved as a talented storyteller, Domenico Starnone is the winner of Italy's most prestigious literary award, The Strega. Winner of The Bridge Prize for Best Novel 2015
Publishers Weekly Reviews
Publishers Weekly® Reviews
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In case its slipped your mind, Dear Sir, let me remind you: I am your wife. Vanda writes this to her husband, Aldo, who hasnt come home for six days. Its Naples, 1974, and Aldo and Vanda married young, and now, when intellectuals have decided that fidelity is a virtue of the petty bourgeoisie, theyre stuck. Or she is: Aldo has found love and happiness, and stays gone for four years. We learn that in the second section of the book, its longest, narrated by Aldo after the apartment he and Vanda share has been broken into and trashed, their beloved cat disappeared. Although they reunited decades ago, Vanda and Aldo are still furious, and as he sorts through his demolished possessions, Aldo tells his side of the affair. The problem is that he tells and tells, displaying little self-awareness and seemingly expecting sympathy he may not have earned. Anna, Vanda and Aldos daughter, middle-aged and scarred, like her feckless brother, by the breakup and the resumed marriage, is no picnic eitherangry, manipulative, greedy. Though Starnones willingness to let his charactersparticularly Aldoincriminate themselves can be read as writerly confidence, the novel, despite being slim, feels long. (Mar.)