Vampire Empire, Book One : The Greyfriar
Overview - Rousing pulp action and steampunk come together in a spellbinding story of high adventure and alternate history. In the year 1870, a horrible plague of vampires swept over the northern regions of the world. It is now 2020 and a bloody reckoning is coming. Read more...
More About Vampire Empire, Book One by Clay Griffith; Susan Griffith
Rousing pulp action and steampunk come together in a spellbinding story of high adventure and alternate history. In the year 1870, a horrible plague of vampires swept over the northern regions of the world. It is now 2020 and a bloody reckoning is coming. Princess Adele is heir to the Empire of Equatoria, a remnant of the old tropical British Empire. When she becomes the target of a merciless vampire clan, her only protector is the Greyfriar, a mysterious hero who fights the vampires from deep within their territory. Their dangerous relationship plays out against an approaching war to the death between humankind and the vampire clans. The first book in a trilogy of high adventure and alternate history, the Vampire Empire series brings epic political themes to life within a story of heartbreaking romance, sacrifice, and heroism.
- ISBN-13: 9781616142476
- ISBN-10: 1616142472
- Publisher: Pyr
- Publish Date: November 2010
- Page Count: 303
Vampire Empire #1
Books > Fiction > Fantasy - Paranormal
Publishers Weekly Reviews
Publishers Weekly® Reviews
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Griffith and Griffith, perhaps best known for their media tie-in work, merge vampires with steampunk in this tale of derring-do and star-crossed romance. In 1870 the vampires rose up and conquered the northern lands of Earth. The northern elites fled south to new colonies, leaving their subjects to the mercy of the predators. By 2020, the world is still divided. Princess Adele of the Equatorian Empire becomes the catalyst of the final human–vampire war when she is lost in vampire territory with only a mysterious adventurer known as the Greyfriar to help her. Set in a future that is comfortably quaint, where brass-plated technology is uninhibited by plausibility and the northern exiles may feel oppressed but the indigenous equatorial peoples never do, this melodramatic tale is fast-paced and entirely unchallenging. (Nov.)