Almost ten years have passed since Julia Win came back from Burma, her father s native country. Though she is a successful Manhattan lawyer, her private life is at a crossroads; her boyfriend has recently left her and she is, despite her wealth, unhappy with her professional life. Read more...
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Almost ten years have passed since Julia Win came back from Burma, her father s native country. Though she is a successful Manhattan lawyer, her private life is at a crossroads; her boyfriend has recently left her and she is, despite her wealth, unhappy with her professional life. Julia is lost and exhausted.
One day, in the middle of an important business meeting, she hears a stranger s voice in her head that causes her to leave the office without explanation. In the following days, her crisis only deepens. Not only does the female voice refuse to disappear, but it starts to ask questions Julia has been trying to avoid. Why do you live alone? To whom do you feel close? What do you want in life?
Interwoven with Julia s story is that of a Burmese woman named Nu Nu who finds her world turned upside down when Burma goes to war and calls on her two young sons to be child soldiers. This spirited sequel, like "The Art of Hearing Heartbeats," explores the most inspiring and passionate terrain: the human heart."
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2013-09-30
- Reviewer: Staff
An American tourist’s second trip to her ancestral homeland in search of guidance falls flat in Sendker’s follow-up to The Art of Hearing Heartbeats. At first, Julia Win believes the voice in her head is just a symptom of the stress built up from her high-pressure job and recent breakup. But when Western medicine fails to give her relief, an old monk at a yoga retreat suggests the pleas come from an unhappy Burmese soul inhabiting her body. Returning to Burma, Julia enlists U Ba, the half-brother she hasn’t seen in 10 years, to put the unhappy soul to rest. It turns out to belong to a woman who tried to protect her sons from a raging civil war in the country, only to be forced into a terrible choice. The bloody horror of her ordeal opens readers’ eyes to a history of buried atrocities, but the premise for Julia’s visit is tenuous, and its resolution has little to do with her original problem. Sendker takes pains to develop a realistic world, only to offer Burmese characters who speak almost exclusively in aphorisms (“Whoever forgives is a prisoner no more”), coming across less as flesh-and-blood people than as mystical guideposts for the heroine. (Jan)