Making Records : The Scenes Behind the Music (Hardcover)
by Phil Ramone and Charles L. Granata

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Overview

Frank Sinatra, Barbra Streisand, Bob Dylan, Elton John, Billy Joel, Dionne Warwick, Ray Charles, Paul Simon, Quincy Jones, Karen Carpenter, Liza Minnelli, Rod Stewart, Luciano Pavarotti ??? not to mention Jamie Cullum, The Backstreet Boys, and Bono -- have all had& nbsp; hits produced by Phil Ramone.& nbsp; One of the century??'s most influential and innovative music technicians, Ramone won the first of thirteen Grammy awards for Stan Getz??'s Getz/Gilberto in 1969 and his most recent for Tony Bennett??'s The Art of Romance in 2006. In his first book, he walks the reader through every step of the recording process ??? and along the way, he reveals intimate details about the studio sessions that gave us some of the most legendary songs our our time, including ???Me and Julio Down by the Schoolyard??? by Paul Simon, Dylan??'s entire ???Blood on the Tracks??? album, and Billy Joel??'s ???Just the Way You Are.???& nbsp; & nbsp; & nbsp;

 
 
 
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  • ISBN-13: 9780786868599
  • ISBN-10: 0786868597
  • Publisher: Hyperion Books
  • Publish Date: October 2007
  • Page Count: 320
 
 
 
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Publisher's Weekly Review

Publishers Weekly® Reviews

  • Reviewed in: Publishers Weekly, page 71.
  • Review Date: 2007-08-27
  • Reviewer: Staff

Ramone, with 14 Grammys to his name, is the consummate Establishment producer. His clean professionalism has brought a touch of class to a wealth of baby boomer landmarks, from Paul Simon's Still Crazy After All These Years to Billy Joel's The Stranger and Ray Charles's Genius Loves Company. Over the course of his memoir, Ramone constantly drops these names and more, often veering into a string of anecdotes to illustrate a point. One page about artists' working methods, for example, includes mention of Frank Sinatra; Bob Dylan; Peter, Paul, and Mary; and Barbara Streisand, with little distinction made as to quality or genre. This makes for a readable but repetitive book. The conversational style means that certain artists are brought up again and again, and sometimes the book relies upon long block quotes from musicians that would have benefited from being pared down to their relevant lines (such as one in which Liberty DeVitto of Billy Joel's band talks about changing the rhythm of “Always a Woman to Me”). Amid all of this, there are genuinely interesting stories, and fans of Sinatra, Simon and Dylan should find pleasure in the long in-studio narratives. (Oct.)

 

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  • ISBN-13: 9780786868599
  • ISBN-10: 0786868597
  • Publisher: Hyperion Books
  • Date: October 2007
  • Page Count: 320
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