We Are Water is a disquieting and ultimately uplifting novel about a marriage, a family, and human resilience in the face of tragedy, from Wally Lamb, the New York Times bestselling author of The Hour I First Believed and I Know This Much Is True .Read more...
We Are Water is a disquieting and ultimately uplifting novel about a marriage, a family, and human resilience in the face of tragedy, from Wally Lamb, the New York Times bestselling author of The Hour I First Believed and I Know This Much Is True.
After 27 years of marriage and three children, Anna Oh--wife, mother, outsider artist--has fallen in love with Viveca, the wealthy Manhattan art dealer who orchestrated her success. They plan to wed in the Oh family's hometown of Three Rivers in Connecticut. But the wedding provokes some very mixed reactions and opens a Pandora's Box of toxic secrets--dark and painful truths that have festered below the surface of the Ohs' lives.
We Are Water is a layered portrait of marriage, family, and the inexorable need for understanding and connection, told in the alternating voices of the Ohs--nonconformist, Anna; her ex-husband, Orion, a psychologist; Ariane, the do-gooder daughter, and her twin, Andrew, the rebellious only son; and free-spirited Marissa, the youngest. It is also a portrait of modern America, exploring issues of class, changing social mores, the legacy of racial violence, and the nature of creativity and art.
With humor and compassion, Wally Lamb brilliantly captures the essence of human experience and the ways in which we search for love and meaning in our lives.
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2013-11-04
- Reviewer: Staff
Set mostly in Connecticut, Lamb's (She's Come Undone) fifth novel takes on race, class, sexuality, and art, sometimes clumsily, yet the complex plot is captivating. On the brink of her second marriage, artist Annie Oh fis plagued by "lifestyle guilt." After a tormented childhood—a flood that killed her mother and sister; a stint in foster care; abuse at the hands of her cousin—Annie leaves her husband, Dr. Orion Oh, for a woman: art dealer Viveca Christophoulos-Shabbas. The Ohs' three children—all grown—accept their mother's decision, though Andrew is more reluctant than his sisters, Marissa and Ariane. Lamb seems eager to include many permutations of American identity: Orion is Chinese-Italian, Viveca is Greek–and previously married to an Arab man to boot. A section narrated by a Ku Klux Klansman's widow is unconvincing, torn between racism and apology. However Lamb excels at delivering unexpected blows to his characters, ratcheting up the suspense to the final page. Agent: Kassie Evashevski,United Talent Agency. (Nov.)