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  People of the Book (Paperback)
  Published 2008-12-30
  Publisher: Penguin Books
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  People of the Book (Audio Compact Disc - Unabridged)
  Published 2008-01-01
  Publisher: Penguin Audiobooks
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Details
  • ISBN-13: 9780670018215
  • ISBN-10: 067001821X
 
 
 
Publisher's Weekly Reviews

Publishers Weekly® Reviews

  • Reviewed in: Publishers Weekly, page 34.
  • Review Date: 2007-10-01
  • Reviewer: Margot Livesey

SignatureReviewed by Margot LiveseyReading Geraldine Brooks's remarkable debut novel, Year of Wonders, or more recently March, which won the Pulitzer Prize, it would be easy to forget that she grew up in Australia and worked as a journalist. Now in her dazzling new novel, People of the Book, Brooks allows both her native land and current events to play a larger role while still continuing to mine the historical material that speaks so ardently to her imagination. Late one night in the city of Sydney, Hanna Heath, a rare book conservator, gets a phone call. The Sarajevo Haggadah, which disappeared during the siege in 1992, has been found, and Hanna has been invited by the U.N. to report on its condition.Missing documents and art works (as Dan Brown and Lev Grossman, among others, have demonstrated) are endlessly appealing, and from this inviting premise Brooks spins her story in two directions. In the present, we follow the resolutely independent Hanna through her thrilling first encounter with the beautifully illustrated codex and her discovery of the tiny signs—a white hair, an insect wing, missing clasps, a drop of salt, a wine stain—that will help her to discover its provenance. Along with the book she also meets its savior, a Muslim librarian named Karaman. Their romance offers both predictable pleasures and genuine surprises, as does the other main relationship in Hanna's life: her fraught connection with her mother.In the other strand of the narrative we learn, moving backward through time, how the codex came to be lost and found, and made. From the opening section, set in Sarajevo in 1940, to the final section, set in Seville in 1480, these narratives show Brooks writing at her very best. With equal authority she depicts the struggles of a young girl to escape the Nazis, a duel of wits between an inquisitor and a rabbi living in the Venice ghetto, and a girl's passionate relationship with her mistress in a harem. Like the illustrations in the Haggadah, each of these sections transports the reader to a fully realized, vividly peopled world. And each gives a glimpse of both the long history of anti-Semitism and of the struggle of women toward the independence that Hanna, despite her mother's lectures, tends to take for granted.Brooks is too good a novelist to belabor her political messages, but her depiction of the Haggadah bringing together Jews, Christians and Muslims could not be more timely. Her gift for storytelling, happily, is timeless.Margot Livesey's The House on Fortune Street will be published by HarperCollins in May 2008.

 
 
 
BookPage Reviews

Well Read

Remarkable prayer book inspires a literary page-turner

Geraldine Brooks won the Pulitzer Prize in 2006 for her novel, March, but this Australian-born novelist had flown beneath my radar until my editor asked me to review her new novel, People of the Book. I took on the assignment willingly, but with few expectations. All I knew was that its plot centered on a rare book—a subject that always intrigues me—in this case an actual illuminated Haggadah, or Jewish prayer book, that resides in the National Museum of Bosnia in Sarajevo. I had no idea that Brooks' novel would turn out to be a hard-to-put-down mystery weighted by five centuries of history.

Awakened by a 2 a.m. call to her home down under, book conservator Hanna Heath is summoned to Sarajevo for the opportunity of a lifetime. Her assignment is to "stabilize" the Sarajevo Haggadah before it is put back on public display. The book had gone missing during the Bosnian War, secreted away in a bank safe-deposit box by a prudent museum worker. Now, with the war just over, the UN-backed government wants to exhibit the treasure as a symbol of Bosnia's resilience and the region's multicultural traditions.

Hanna finds Sarajevo a bombed-out shell of its once glorious past, but the book itself, despite years of neglect and mishandling, is as magnificent as she had imagined. The legendary Haggadah is an anomaly among Jewish volumes, with lavishly colored hand-painted miniature illustrations. As she takes apart the folios, Hanna finds the fragment of a wing of a butterfly and a white hair trapped within the binding. The parchment bears stains of wine and saltwater, and some clasps are missing. These anomalies intrigue Hanna, propelling her on an unofficial search to discover, or at least speculate on their origins. They also supply Brooks with the springboard to send the story backward in time in order to chronicle the remarkable (imagined) history of the Haggadah.

It is a journey of survival through the calamities of European history. The butterfly wing, we learn, can be traced back to the book's narrow escape from the Nazi conflagration, while the explanation for the missing clasps can be found in the fin de siècle Vienna of Freud and Schnitzler. The wine stains are from 17th-century Venice in the last years of the Inquisition, the saltwater from Barcelona in 1492, the year the Jews were expelled from Spain. The white hair dates back to the very origins of the book in Muslim-ruled Seville. Each of these stories is itself a small jewel, beautifully told, but combined into the larger tapestry of the novel they take on a convincing cumulative power.

No less compelling is the contemporary narrative—Hanna's story—that binds together the historic segments. The daughter of a world-renowned and suitably imperious female neurosurgeon, Hanna has never known the identity of her father, and in the course of her investigation into the origins of the book, she will learn the dramatic truth about her own origins. She also has a brief, tender affair with Ozren Karaman, the chief librarian at the museum and the man who managed to save the Haggadah from destruction during the Balkan conflict. Ozren's harrowing wartime experiences have left him with his own set of emotional scars, as well as a brain-dead son.

The title People of the Book, of course, plays off of the Islamic designation for Jews and Christians, whom Muslims respect for their shared ties to Abraham. The novel interweaves all three of these religious traditions and their histories (both illustrious and ignominious) into the texture of its story. But the title also clearly refers to the cast of credible characters Brooks has created, each of whom is touched or altered by an encounter with the Haggadah.

People of the Book is a marvelous novel, an exhilarating and beautifully written blend of mystery and history that is everything a certain pedestrian bestseller with "Da Vinci" in the title purported to be, but wasn't. After taking Brooks' irresistible journey through time in the company of a fascinating old book, you may wish you could board the next plane to Sarajevo to see the real thing.

Robert Weibezahl is a history-loving, book-collecting, mystery-writing Californian.

 
 
 
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