When Tai Shan and his father, Baba, fly kites from their roof and look down at the crowded city streets below, they feel free, like the kites. Baba loves telling Tai Shan stories while the kites--one red, and one blue--rise, dip, and soar together. Read more...
When Tai Shan and his father, Baba, fly kites from their roof and look down at the crowded city streets below, they feel free, like the kites. Baba loves telling Tai Shan stories while the kites--one red, and one blue--rise, dip, and soar together. Then, a bad time comes. People wearing red armbands shut down the schools, smash store signs, and search houses. Baba is sent away, and Tai Shan goes to live with Granny Wang. Though father and son are far apart, they have a secret way of staying close. Every day they greet each other by flying their kites-one red, and one blue-until Baba can be free again, like the kites.
Inspired by the dark time of the Cultural Revolution in China, this is a soaring tale of hope that will resonate with anyone who has ever had to love from a distance.
Publishers Weekly® Reviews
- Reviewed in: Publishers Weekly, page .
- Review Date: 2012-11-12
- Reviewer: Staff
Ruth (A Pirate’s Guide to First Grade) paints affecting closeups and dramatically lit spreads that ratchet up the tension as Tai Shan endures separation from his beloved father, Baba, who is imprisoned during China’s Cultural Revolution. The days when Tai Shan and Baba flew their kites joyously from the rooftop are only a memory by the time Tai Shan ends up lodging with Granny Wang. When Baba can no longer visit, he flies his blue kite from the prison camp as a signal for Tai Shan, who flies his red kite for Baba. One day, Baba’s kite doesn’t appear. “Please take me to see Baba,” Tai Shan begs Granny Wang. Ruth shows Baba in his prison uniform, wan and unshaven; he has just enough time to ask Tai Shan to wait for him before his transfer to a distant camp. While Tai Shan and Baba are happily reunited, the anguish of their ordeal—which Jiang (Red Scarf Girl) portrays with scrupulous honesty—makes this introduction to Mao’s China best suited for readers on the older end of the suggested age range. Ages 5–8. Agent: Caryn Wiseman, Andrea Brown Literary Agency. (Jan.)