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Overview
FOR FANS OF ALL THE LIGHT WE CANNOT SEE, A LUSH, SWEEPING LOVE STORY ABOUT A HINDU PERFUMER AND A MUSLIM CALLIGRAPHER, SET AGAINST THE BACKDROP OF PARTITION
"Monumental...A far-reaching love story." --NPR (A Best Book of the Year) "Mesmerizing." --Publishers Weekly (starred review)"Exquisite." --Library Journal (starred review)
"Majestic." --Booklist (starred review)
On a January morning in 1938, Samir Vij first locks eyes with Firdaus Khan through the rows of perfume bottles in his family's ittar shop in Lahore. Over the years that follow, the perfumer's apprentice and calligrapher's apprentice fall in love with their ancient crafts and with each other, dreaming of the life they will one day share. But as the struggle for Indian independence gathers force, their beloved city is ravaged by Partition. Suddenly, they find themselves on opposite sides: Samir, a Hindu, becomes Indian and Firdaus, a Muslim, becomes Pakistani, their love now forbidden. Severed from one another, Samir and Firdaus make a series of fateful decisions that will change the course of their lives forever. As their paths spiral away from each other, they must each decide how much of the past they are willing to let go, and what it will cost them. Lush, sensuous, and deeply romantic, The Book of Everlasting Things is the story of two lovers and two nations, split apart by forces beyond their control, yet bound by love and memory. Filled with exquisite descriptions of perfume and calligraphy, spanning continents and generations, Aanchal Malhotra's debut novel is a feast for the senses and the heart.
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Details
- ISBN-13: 9781250802026
- ISBN-10: 1250802024
- Publisher: Flatiron Books
- Publish Date: December 2022
- Dimensions: 9.52 x 6.41 x 1.53 inches
- Shipping Weight: 1.48 pounds
- Page Count: 480
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As Aanchal Malhotra’s debut novel opens, it’s 1938 in the old walled city of Lahore, Hindustan (now Pakistan), and Samir Vij has just turned 10. He’s about to join the family perfume business as an apprentice; like his uncle Vivek, Samir has an unusually perceptive nose. On the other side of the walled city, 8-year-old Firdaus Khan is the only girl studying in her father’s calligraphy studio. Soon after, Samir and Firdaus encounter each other for the first time when Firdaus and her parents come to the Vij perfume shop for rose oil to add to a special manuscript that Firdaus’ father is illuminating. Samir, a Hindu boy, and Firdaus, a Muslim girl, feel an instant connection, one that’s deepened when Samir too begins to study calligraphy.
The novel follows Samir and Firdaus as their friendship turns to love over the next 10 years. But after World War II, local demands for independence from the British Empire grow louder. Seemingly overnight, the ancient, multicultural city of Lahore, where Muslims, Hindus and Sikhs live in peaceable proximity and friendship, descends into violence and chaos. The price of independence turns out to be Partition, which divides Hindustan into India and Pakistan. Hindu families in Lahore flee over the new border into India, and Muslims flee into the new Pakistan. Samir and Firdaus are driven far apart, their destinies seeming to diverge.
In The Book of Everlasting Things, Malhotra balances the larger canvas (the devastation of two world wars and Partition) with the smaller (Samir and Khan’s love story), weaving in additional family stories to reveal how past actions affect the two lovers over the decades.
Malhotra is a visual artist and the author of two nonfiction books on Partition, and her prose is often gorgeous and evocative. The novel shines in its sensory details, particularly in regard to smells, showing how perfumers take in the world. It’s also strong in its sense of place, with memorable images of pre-Partition Lahore, a place lost to war and the passage of time, as well as of post-World War II Paris and Grasse, France. Samir, the character at the novel’s heart, is more developed than Firdaus, but both characters share a vivid sense of longing.
Some readers may quibble that The Book of Everlasting Things moves slowly, but this is a long, meaty story with an old-fashioned pace. It’s a novel to sink into as Malhotra spins a bittersweet family saga of love, loss and connection.
As Aanchal Malhotra’s debut novel opens, it’s 1938 in the old walled city of Lahore, Hindustan (now Pakistan), and Samir Vij has just turned 10. He’s about to join the family perfume business as an apprentice; like his uncle Vivek, Samir has an unusually perceptive nose. On the other side of the walled city, 8-year-old Firdaus Khan is the only girl studying in her father’s calligraphy studio. Soon after, Samir and Firdaus encounter each other for the first time when Firdaus and her parents come to the Vij perfume shop for rose oil to add to a special manuscript that Firdaus’ father is illuminating. Samir, a Hindu boy, and Firdaus, a Muslim girl, feel an instant connection, one that’s deepened when Samir too begins to study calligraphy.
The novel follows Samir and Firdaus as their friendship turns to love over the next 10 years. But after World War II, local demands for independence from the British Empire grow louder. Seemingly overnight, the ancient, multicultural city of Lahore, where Muslims, Hindus and Sikhs live in peaceable proximity and friendship, descends into violence and chaos. The price of independence turns out to be Partition, which divides Hindustan into India and Pakistan. Hindu families in Lahore flee over the new border into India, and Muslims flee into the new Pakistan. Samir and Firdaus are driven far apart, their destinies seeming to diverge.
In The Book of Everlasting Things, Malhotra balances the larger canvas (the devastation of two world wars and Partition) with the smaller (Samir and Khan’s love story), weaving in additional family stories to reveal how past actions affect the two lovers over the decades.
Malhotra is a visual artist and the author of two nonfiction books on Partition, and her prose is often gorgeous and evocative. The novel shines in its sensory details, particularly in regard to smells, showing how perfumers take in the world. It’s also strong in its sense of place, with memorable images of pre-Partition Lahore, a place lost to war and the passage of time, as well as of post-World War II Paris and Grasse, France. Samir, the character at the novel’s heart, is more developed than Firdaus, but both characters share a vivid sense of longing.
Some readers may quibble that The Book of Everlasting Things moves slowly, but this is a long, meaty story with an old-fashioned pace. It’s a novel to sink into as Malhotra spins a bittersweet family saga of love, loss and connection.