Death at the Sign of the Rook : A Jackson Brodie Book
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Overview
THE INSTANT #1 INTERNATIONAL BESTSELLER (SUNDAY TIMES, UK) - The highly anticipated return of "irresistible" (New York Times) private eye Jackson Brodie in the newest installment of the bestselling series hailed as "unputdownable" by Time "How delicious to have Jackson Brodie back, this time in a story that starts off in Agatha Christie's world but soon becomes a landscape that could only have been crafted from the pen of the incomparable Kate Atkinson."-Ian Rankin, author of the Inspector Rebus Novels Welcome to Rook Hall. The stage is set. The players are ready. By night's end, a murderer will be revealed. In his sleepy Yorkshire town, ex-detective Jackson Brodie is staving off boredom and malaise. His only case is the seemingly tedious matter of a stolen painting. But Jackson soon uncovers a string of unsolved art thefts that lead him down a dizzying spiral of disguise and deceit to Burton Makepeace, a formerly magnificent estate now partially converted into a hotel hosting Murder Mystery weekends. As paying guests, impecunious aristocrats and old friends collide, we are treated to Atkinson's most charming and fiendishly clever mystery yet, one that pays homage to the masters of the genre--from Agatha Christie and Dorothy Sayers to the modern era of Knives Out and Only Murders in the Building.
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Details
- ISBN-13: 9780385547994
- ISBN-10: 0385547994
- Publisher: Doubleday Books
- Publish Date: September 2024
- Dimensions: 9.4 x 5.8 x 1.3 inches
- Shipping Weight: 1.2 pounds
- Page Count: 320
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Fans of Kate Atkinson’s policeman-turned-private eye Jackson Brodie, who debuted in 2004’s Case Histories, will be thrilled to learn he’s back for a sixth outing in Death at the Sign of the Rook.
Jackson last appeared in 2019’s Big Sky, where he contended with crime in an English seaside village. In Death at the Sign of the Rook, a small Yorkshire town serves as a wintry backdrop for art theft and a chaotic murder-mystery party that blurs the lines between dramatic artifice and harsh reality.
We begin with Ian and Hazel Padgett, who have just hired Jackson. Their mother has recently died, an oil painting is missing from her home, and the Padgetts suspect their mother’s caregiver, Melanie, has stolen it. As Detective Constable Reggie Chase joins Jackson in tracking down Melanie, they learn that a painting went missing from nearby estate Burton Makepeace two years ago, and it’s suspected that it was taken by the housekeeper. At one point, Reggie thinks irritably about how Jackson always says “a coincidence is just an explanation waiting to happen.” Is there a connection between the women, the paintings and the thefts?
In and among the sleuths’ investigatory advances, Atkinson immerses the reader in the inner lives of her emotionally complex cast: the officious Lady Milton; Simon Cate, a vicar who doesn't believe in God; and Ben Jennings, an injured former army major. Every character’s inner monologue is detailed and eccentric, rife with existential contemplation and dry wit. Their personalities gradually and tantalizingly unfurl, as do their connections to one another (and, perhaps, the mysterious crimes).
Death at the Sign of the Rook kicks into high gear when the cast converges at Burton Makepeace for a murder-mystery weekend. A major snowstorm traps everyone overnight, cell phone service has gone out, and an escaped prisoner—dubbed “Two-Cop Killer Carl Carter” by the media—might be roaming the area, too. While the detectives struggle to discern fact from fiction, murder most foul and hectic hilarity collide as dark secrets are finally revealed. It’s a twisty treat of a read that will totally absorb fans of Atkinson, Agatha Christie and, of course, the inimitable Jackson Brodie.
Fans of Kate Atkinson’s policeman-turned-private eye Jackson Brodie, who debuted in 2004’s Case Histories, will be thrilled to learn he’s back for a sixth outing in Death at the Sign of the Rook.
Jackson last appeared in 2019’s Big Sky, where he contended with crime in an English seaside village. In Death at the Sign of the Rook, a small Yorkshire town serves as a wintry backdrop for art theft and a chaotic murder-mystery party that blurs the lines between dramatic artifice and harsh reality.
We begin with Ian and Hazel Padgett, who have just hired Jackson. Their mother has recently died, an oil painting is missing from her home, and the Padgetts suspect their mother’s caregiver, Melanie, has stolen it. As Detective Constable Reggie Chase joins Jackson in tracking down Melanie, they learn that a painting went missing from nearby estate Burton Makepeace two years ago, and it’s suspected that it was taken by the housekeeper. At one point, Reggie thinks irritably about how Jackson always says “a coincidence is just an explanation waiting to happen.” Is there a connection between the women, the paintings and the thefts?
In and among the sleuths’ investigatory advances, Atkinson immerses the reader in the inner lives of her emotionally complex cast: the officious Lady Milton; Simon Cate, a vicar who doesn't believe in God; and Ben Jennings, an injured former army major. Every character’s inner monologue is detailed and eccentric, rife with existential contemplation and dry wit. Their personalities gradually and tantalizingly unfurl, as do their connections to one another (and, perhaps, the mysterious crimes).
Death at the Sign of the Rook kicks into high gear when the cast converges at Burton Makepeace for a murder-mystery weekend. A major snowstorm traps everyone overnight, cell phone service has gone out, and an escaped prisoner—dubbed “Two-Cop Killer Carl Carter” by the media—might be roaming the area, too. While the detectives struggle to discern fact from fiction, murder most foul and hectic hilarity collide as dark secrets are finally revealed. It’s a twisty treat of a read that will totally absorb fans of Atkinson, Agatha Christie and, of course, the inimitable Jackson Brodie.