Other Available Formats
Overview
#1 NATIONAL BESTSELLER
"When I tell you that I dogeared almost every page in this book, I'm telling God's honest truth. I didn't know how much I needed someone else to validate what I was going through. The sense that I had lost my curiosity, my imagination, my ability to make meaning." - NPR Morning Edition host Rachel Martin
"Such a teacher for every single person who is trying to live closer to who they were born to be and not who the world tamed them to be." - New York Times bestselling author Glennon Doyle on We Can Do Hard Things "I love Katherine May's new book, Enchantment....It's a beautiful offering of light, truth and charm in these strange, dark times." - New York Times bestselling author Anne Lamott "Katherine May gave so many of us language and vision for the long communal 'wintering' of the last years. Welcome this beautiful meditation for the time we've now entered. I cannot imagine a more gracious companion. This book is a gift." - New York Times bestselling author Krista Tippett"Gentle inspiration for those who feel exhausted or helpless... May shows how paying deliberate attention to what's around us can surprise us with insights and reveal new connections that deepen our appreciation for the world." - Washington Post
From the New York Times-bestselling author of Wintering, an invitation to rediscover the feelings of awe and wonder available to us all Many of us feel trapped in a grind of constant change: rolling news cycles, the chatter of social media, our families split along partisan lines. We feel fearful and tired, on edge in our bodies, not quite knowing what has us perpetually depleted. For Katherine May, this low hum of fatigue and anxiety made her wonder what she was missing. Could there be a different way to relate to the world, one that would allow her to feel more rested and at ease, even as seismic changes unfold on the planet? Might there be a way for all of us to move through life with curiosity and tenderness, sensitized to the subtle magic all around? In Enchantment, May invites the reader to come with her on a journey to reawaken our innate sense of wonder and awe. With humor, candor, and warmth, she shares stories of her own struggles with work, family, and the aftereffects of pandemic, particularly feelings of overwhelm as the world rushes to reopen. Craving a different way to live, May begins to explore the restorative properties of the natural world, moving through the elements of earth, water, fire, and air and identifying the quiet traces of magic that can be found only when we look for them. Through deliberate attention and ritual, she unearths the potency and nourishment that come from quiet reconnection with our immediate environment. Blending lyricism and storytelling, sensitivity and empathy, Enchantment invites each of us to open the door to human experience in all its sensual complexity, and to find the beauty waiting for us there.
Customers Also Bought

Details
- ISBN-13: 9780593329993
- ISBN-10: 0593329996
- Publisher: Riverhead Books
- Publish Date: February 2023
- Dimensions: 8.35 x 5.75 x 1.02 inches
- Shipping Weight: 0.74 pounds
- Page Count: 224
Related Categories
Katherine May’s essay collection Enchantment: Awakening Wonder in an Anxious Age offers similar meditative pleasures as her previous collection, Wintering—though you don’t need to have read Wintering to enjoy Enchantment. “When I want to describe how I feel right now, the word I reach for the most is discombobulated,” she writes, going on to chart the losses, burnout and anxieties of the COVID-19 pandemic, and of this era. “Time has looped and gathered, and I sometimes worry that I could skip through decades like this, standing in my bathroom, until I am suddenly old.” In the opening essay, May describes feeling like she had lost some fundamental part of being alive, some elemental human feeling—like she had become disconnected from meaning. Without this missing piece, “the world feels like tap water left overnight, flat and chemical, devoid of life,” she writes. She began to wonder if she could find a solution in enchantment, which she defines as “small wonder magnified through meaning, fascination caught in the web of fable and memory.” So she set out to find and record such moments, beginning with the places where she found beauty as a child, such as the farmland outside her grandparents’ English village. Enchantment’s essays are arranged into four sections—Earth, Water, Fire and Air—detailing May’s investigations into each realm. For example, a visit to an ancient healing well goes in the Water section. “There are steps down to a pool of dark water about a foot deep, the heart-shaped petals of the [briar] rose floating on its surface,” she writes about this hidden well. As in the book’s other essays, May doesn’t gloss over her feelings of awkwardness and inadequacy. “It has the air of a place that has waited patiently for a long time for someone to come along and worship, and now it has me standing awkwardly before it, at a loss. It crackles with magic, but I have no template for how to behave around it, no tradition or culture that prepared me for this.” May details the small disappointments and larger surprises she encountered on her journey, and her sentences, plain yet gorgeous, cast a spell. The essay “Hierophany” opens simply, “Just after lunchtime when I was a child, my grandmother would sit down to eat an orange, and peace would fall over the house.” Enchantment mixes nature writing and bits of history, theology and literature with memoir—scenes from May’s childhood, her failures at meditation, ordinary marital discontents—to form a lucid, restful collection. Though May’s search for enchantment seems perhaps better suited to the English landscape, with its fairy tale-like ancient sites and villages, than to our American suburban sprawl, Enchantment offers a lovely, meditative way to begin another tumultuous year.
Katherine May’s essay collection Enchantment: Awakening Wonder in an Anxious Age offers similar meditative pleasures as her previous collection, Wintering—though you don’t need to have read Wintering to enjoy Enchantment. “When I want to describe how I feel right now, the word I reach for the most is discombobulated,” she writes, going on to chart the losses, burnout and anxieties of the COVID-19 pandemic, and of this era. “Time has looped and gathered, and I sometimes worry that I could skip through decades like this, standing in my bathroom, until I am suddenly old.” In the opening essay, May describes feeling like she had lost some fundamental part of being alive, some elemental human feeling—like she had become disconnected from meaning. Without this missing piece, “the world feels like tap water left overnight, flat and chemical, devoid of life,” she writes. She began to wonder if she could find a solution in enchantment, which she defines as “small wonder magnified through meaning, fascination caught in the web of fable and memory.” So she set out to find and record such moments, beginning with the places where she found beauty as a child, such as the farmland outside her grandparents’ English village. Enchantment’s essays are arranged into four sections—Earth, Water, Fire and Air—detailing May’s investigations into each realm. For example, a visit to an ancient healing well goes in the Water section. “There are steps down to a pool of dark water about a foot deep, the heart-shaped petals of the [briar] rose floating on its surface,” she writes about this hidden well. As in the book’s other essays, May doesn’t gloss over her feelings of awkwardness and inadequacy. “It has the air of a place that has waited patiently for a long time for someone to come along and worship, and now it has me standing awkwardly before it, at a loss. It crackles with magic, but I have no template for how to behave around it, no tradition or culture that prepared me for this.” May details the small disappointments and larger surprises she encountered on her journey, and her sentences, plain yet gorgeous, cast a spell. The essay “Hierophany” opens simply, “Just after lunchtime when I was a child, my grandmother would sit down to eat an orange, and peace would fall over the house.” Enchantment mixes nature writing and bits of history, theology and literature with memoir—scenes from May’s childhood, her failures at meditation, ordinary marital discontents—to form a lucid, restful collection. Though May’s search for enchantment seems perhaps better suited to the English landscape, with its fairy tale-like ancient sites and villages, than to our American suburban sprawl, Enchantment offers a lovely, meditative way to begin another tumultuous year.