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{ "item_title" : "The Kingdom of Sand", "item_author" : [" Andrew Holleran "], "item_description" : "A NEW YORK TIMES BOOK REVIEW EDITOR'S CHOICE PICKONE OF THE LONDON TIMES' TOP TWENTY-SIX FICTION BOOKS OF THE YEARLA TIMES 5 BEST BOOKS OF 2022BBC CULTURE'S 50 BEST BOOKS OF 2022LONGLIST FOR THE MARK TWAIN AMERICAN VOICE IN LITERATURE AWARD[Holleran's] new novel is all the more affecting and engaging because the images of isolation and old age here are haunted . . . in 1978 Holleran wrote the quintessential novel about gay abandon, the sheer, careless pleasure of it: Dancer From the Dance. Now, at almost 80 years of age, he has produced a novel remarkable for its integrity, for its readiness to embrace difficult truths and for its complex way of paying homage to the passing of time. --Colm Toibin, The New York Times Book Review It's rare to find fiction that takes this kind of dying of the light as its subject and doesn't make its heroes feel either pathetic or polished with a gleam of false dignity . . . This sad, beautiful book captures the sensations Holleran's characters are chasing -- as well as the darkness that inevitably comes for them, and us. --Mark Athitakis, The Los Angeles Times One of the great appeals of Florida has always been the sense that the minute you get here you have permission to collapse. The Kingdom of Sand is a poignant tale of desire and dread--Andrew Holleran's first new book in sixteen years. The nameless narrator is a gay man who moved to Florida to look after his aging parents--during the height of the AIDS epidemic--and has found himself unable to leave after their deaths. With gallows humor, he chronicles the indignities of growing old in a small town. At the heart of the novel is the story of his friendship with Earl, whom he met cruising at the local boat ramp. For the last twenty years, he has been visiting Earl to watch classic films together and critique the neighbors. Earl is the only person in town with whom he can truly be himself. Now Earl's health is failing, and our increasingly misanthropic narrator must contend with the fact that once Earl dies, he will be completely alone. He distracts himself with sexual encounters at the video porn store and visits to Walgreens. All the while, he shares reflections on illness and death that are at once funny and heartbreaking. Holleran's first novel, Dancer from the Dance, is widely regarded as a classic work of gay literature. Reviewers have described his subsequent books as beautiful, exhilarating, seductive, haunting, and bold. The Kingdom of Sand displays all of Holleran's considerable gifts; it's an elegy to sex and a stunningly honest exploration of loneliness and the endless need for human connection, especially as we count down our days.", "item_img_path" : "https://covers2.booksamillion.com/covers/bam/0/37/460/096/0374600961_b.jpg", "price_data" : { "retail_price" : "27.00", "online_price" : "27.00", "our_price" : "27.00", "club_price" : "27.00", "savings_pct" : "0", "savings_amt" : "0.00", "club_savings_pct" : "0", "club_savings_amt" : "0.00", "discount_pct" : "10", "store_price" : "" } }
The Kingdom of Sand|Andrew Holleran
The Kingdom of Sand
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Overview

A NEW YORK TIMES BOOK REVIEW EDITOR'S CHOICE PICK
ONE OF THE LONDON TIMES' TOP TWENTY-SIX FICTION BOOKS OF THE YEAR
LA TIMES 5 BEST BOOKS OF 2022
BBC CULTURE'S 50 BEST BOOKS OF 2022
LONGLIST FOR THE MARK TWAIN AMERICAN VOICE IN LITERATURE AWARD

"[Holleran's] new novel is all the more affecting and engaging because the images of isolation and old age here are haunted . . . in 1978 Holleran wrote the quintessential novel about gay abandon, the sheer, careless pleasure of it: Dancer From the Dance. Now, at almost 80 years of age, he has produced a novel remarkable for its integrity, for its readiness to embrace difficult truths and for its complex way of paying homage to the passing of time." --Colm Toibin, The New York Times Book Review "It's rare to find fiction that takes this kind of dying of the light as its subject and doesn't make its heroes feel either pathetic or polished with a gleam of false dignity . . . This sad, beautiful book captures the sensations Holleran's characters are chasing -- as well as the darkness that inevitably comes for them, and us." --Mark Athitakis, The Los Angeles Times One of the great appeals of Florida has always been the sense that the minute you get here you have permission to collapse. The Kingdom of Sand is a poignant tale of desire and dread--Andrew Holleran's first new book in sixteen years. The nameless narrator is a gay man who moved to Florida to look after his aging parents--during the height of the AIDS epidemic--and has found himself unable to leave after their deaths. With gallows humor, he chronicles the indignities of growing old in a small town. At the heart of the novel is the story of his friendship with Earl, whom he met cruising at the local boat ramp. For the last twenty years, he has been visiting Earl to watch classic films together and critique the neighbors. Earl is the only person in town with whom he can truly be himself. Now Earl's health is failing, and our increasingly misanthropic narrator must contend with the fact that once Earl dies, he will be completely alone. He distracts himself with sexual encounters at the video porn store and visits to Walgreens. All the while, he shares reflections on illness and death that are at once funny and heartbreaking. Holleran's first novel, Dancer from the Dance, is widely regarded as a classic work of gay literature. Reviewers have described his subsequent books as beautiful, exhilarating, seductive, haunting, and bold. The Kingdom of Sand displays all of Holleran's considerable gifts; it's an elegy to sex and a stunningly honest exploration of loneliness and the endless need for human connection, especially as we count down our days.

  • ISBN-13: 9780374600969
  • ISBN-10: 0374600961
  • Publisher: Farrar, Straus and Giroux
  • Publish Date: June 2022
  • Dimensions: 8.5 x 6 x 1 inches
  • Shipping Weight: 0.85 pounds
  • Page Count: 272

Related Categories

    1. Books
    2. Fiction
    3. LGBTQ+ - General
    1. Books
    2. Fiction
    3. Literary

"There is no wealth but life," wrote John Ruskin near the end of his 1860 book, Unto This Last. The unnamed narrator of Andrew Holleran's doleful fourth novel, The Kingdom of Sand, cites Ruskin midway through, by which time readers know the reason this quotation is on his mind. A gay man in his 60s, the narrator is living alone in conservative North Florida, surrounded by dying neighbors and contemplating the harsh reality of impermanence.  A nonlinear, episodic novel focused on the transient nature of life could have been depressing, but Holleran's thoughtful, poetic treatment makes this material deeply moving and an important contribution to the literature of mortality. It's one of the most beautiful novels of the year. Each of the book's five chapters touches on aging and the adjustments a person must make as they get older. Among the characters are the narrator's 84-year-old father, who sees no reason to avoid having "four fried eggs and a rasher of bacon every morning" while his wife lies paralyzed in a nursing home after a fall. Now that the narrator is closer to the end of his life than to the beginning, he has found many ways to take his mind off the inevitable, from visiting a Gainesville boat ramp where men congregate for sex to watching gay porn on his laptop. A more meaningful connection is his friendship with Earl, 20 years the narrator's senior. After decades of teaching accounting in South Florida, Earl moved north to a house big enough to hold his books and opera records. He and the narrator share a platonic friendship that revolves around meeting at Earl's house to watch old movies, and as the years pass, the narrator becomes Earl's caregiver. The novel gains considerable power from its recognition that no attempt at immortality, whether through art or other means, guarantees success. Classical radio stations change their format to all-talk, azaleas and camellias eventually droop, and every life, no matter how privileged, comes to an end. The Kingdom of Sand is not for readers interested in lighthearted fare, but it's a stunning meditation on what happens, as the narrator says, "when old age gets its claws in you." Around the same time he cites Ruskin, the narrator reads a book on dying that offers sobering advice: Live a good life, because you're not going to have much control over your ending. This exquisite novel offers similar counsel: The final destination may be grim, but with luck and a good set of directions, one can at least enjoy the ride.