Overview
LONGLISTED FOR THE NATIONAL BOOK AWARD IN FICTION - A spellbinding historical novel set in the eighteenth century: a hero's quest, a love story, the story of a young artist coming of age, and an exuberant heist adventure that traces the bloody legacy of colonialism across two continents and fifty years.A Best Book of the Year: The Washington Post, Los Angeles Times, NPR, Kirkus Reviews "Addictively absorbing." --The New York Times Book Review This wildly inventive, irresistible feat of storytelling from a writer at the height of her powers is "an expertly-plotted, deeply affecting novel about war, displacement, emigration, and an elusive mechanical tiger" (Maggie O'Farrell, best-selling author of Hamnet and The Marriage Portrait). Abbas is just seventeen years old when his gifts as a woodcarver come to the attention of Tipu Sultan, and he is drawn into service at the palace in order to build a giant tiger automaton for Tipu's sons, a gift to commemorate their return from British captivity. His fate--and the fate of the wooden tiger he helps create--will mirror the vicissitudes of nations and dynasties ravaged by war across India and Europe. Working alongside the legendary French clockmaker Lucien du Leze, Abbas hones his craft, learns French, and meets Jehanne, the daughter of a French expatriate. When Du Leze is finally permitted to return home to Rouen, he invites Abbas to come along as his apprentice. But by the time Abbas travels to Europe, Tipu's palace has been looted by British forces, and the tiger automaton has disappeared. To prove himself, Abbas must retrieve the tiger from an estate in the English countryside, where it is displayed in a collection of plundered art.
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Details
- ISBN-13: 9780593535974
- ISBN-10: 0593535979
- Publisher: Knopf Publishing Group
- Publish Date: June 2023
- Dimensions: 9.58 x 6.68 x 1.19 inches
- Shipping Weight: 1.26 pounds
- Page Count: 304
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There is a distinct feeling one gets while reading Tania James’ third novel: Someone needs to make this book into a movie. Steeped in the rich history of three nations and infused with a young man’s unshakable desire to do something grand, Loot is transportive storytelling at its best.
We begin in 1794, when India is still a nation of tiny kingdoms ruled by big egos, right on the cusp of British colonialism and the East India Company. India’s foremost king, Tipu Sultan, the Tiger of Mysore, is in his summer palace, conjuring yet another grand plan to impress his citizenry. His current fixation is to build a larger-than-life automaton of a growling tiger pouncing on a British soldier. To achieve this technological feat, Tipu calls on the expertise of 57-year-old Lucien du Leze, a homesick clockmaker and inventor who escaped the French Revolution only to find himself on the brink of another. Lucien in turn hires 17-year-old Abbas, the youngest son of a local woodworker and the heart of this story.
Abbas is kind, gentle and a bit rebellious. His woodcarving skills are unmatched, even though he doesn’t know that yet. Under Lucien’s tutelage, Abbas comes to terms with his gift and unearths his desire to use his craft to leave an unforgettable mark on the world. In that, he is much like his dreamy and determined king, but without the burden of defending the crown.
Tipu’s tiger automaton turns out to be a crowd-pleasing sensation, but not long after its unveiling, Tipu loses first his kingdom and then his life to the British. Lucien finds a way to escape to Rouen, France, leaving Abbas with an invitation to be his apprentice should he ever find a way to leave Mysore. The wooden tiger meets its own dreary fate as well, ending up in a musty, forgotten room in an old lady’s English castle. It’s the end of an era, but for Abbas, it’s just the beginning of an epic quest.
James’ plot is brilliant and unique, her creative liberties mixing well with the historical realities of colonialism and migration. Her supporting characters are woven with the same care and detail as her protagonist. All of this combines for a stimulating and informative novel, a must-read for adventurers, dreamers and lovers of history.
There is a distinct feeling one gets while reading Tania James’ third novel: Someone needs to make this book into a movie. Steeped in the rich history of three nations and infused with a young man’s unshakable desire to do something grand, Loot is transportive storytelling at its best.
We begin in 1794, when India is still a nation of tiny kingdoms ruled by big egos, right on the cusp of British colonialism and the East India Company. India’s foremost king, Tipu Sultan, the Tiger of Mysore, is in his summer palace, conjuring yet another grand plan to impress his citizenry. His current fixation is to build a larger-than-life automaton of a growling tiger pouncing on a British soldier. To achieve this technological feat, Tipu calls on the expertise of 57-year-old Lucien du Leze, a homesick clockmaker and inventor who escaped the French Revolution only to find himself on the brink of another. Lucien in turn hires 17-year-old Abbas, the youngest son of a local woodworker and the heart of this story.
Abbas is kind, gentle and a bit rebellious. His woodcarving skills are unmatched, even though he doesn’t know that yet. Under Lucien’s tutelage, Abbas comes to terms with his gift and unearths his desire to use his craft to leave an unforgettable mark on the world. In that, he is much like his dreamy and determined king, but without the burden of defending the crown.
Tipu’s tiger automaton turns out to be a crowd-pleasing sensation, but not long after its unveiling, Tipu loses first his kingdom and then his life to the British. Lucien finds a way to escape to Rouen, France, leaving Abbas with an invitation to be his apprentice should he ever find a way to leave Mysore. The wooden tiger meets its own dreary fate as well, ending up in a musty, forgotten room in an old lady’s English castle. It’s the end of an era, but for Abbas, it’s just the beginning of an epic quest.
James’ plot is brilliant and unique, her creative liberties mixing well with the historical realities of colonialism and migration. Her supporting characters are woven with the same care and detail as her protagonist. All of this combines for a stimulating and informative novel, a must-read for adventurers, dreamers and lovers of history.