Pearl
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Overview
LONG-LISTED FOR THE BOOKER PRIZE - Heartbreaking and redeeming, Pearl is the story of a young woman in a small English village who is struggling with the disappearance of her mother, what feels like a lifetime ago."A masterful novel, shot through with legend and song. It can be read on many levels: as a mystery, as a story of grief and healing, as a response to a poem. But most of all, it can be read as a story of love." --The Boston Globe"A gorgeous, swirling, haunted and haunting potion of a book...How utterly moving, to be under its beautiful, artful spell." --Paul Harding, Pulitzer Prize winning author of Tinkers and This Other Eden Marianne is eight years old when her mother goes missing. Left behind with her baby brother and grieving father in a ramshackle house on the edge of a small village, she clings to the fragmented memories of her mother's love; the smell of fresh herbs, the games they played, and the songs and stories of her childhood. As time passes, Marianne finds it difficult to adjust, fixated on her mother's disappearance and the secrets she's sure her father is keeping from her. Yet, in one of her mother's dusty old books, she discovers a medieval poem called Pearl, and, trusting in the promise of its consolation, it seems as if her life begins to parallel the poem's course. But questions remain. Marianne is ever more tormented by the unmarked gravestone in the abandoned chapel and the tidal pull of the river, and as her childhood home begins to crumble, the past leads her down a path of self-destruction. Can Marianne ever come to understand her mother's choices? And will her own future as a mother help her find her peace?
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Details
- ISBN-13: 9780593802564
- ISBN-10: 059380256X
- Publisher: Knopf Publishing Group
- Publish Date: July 2024
- Dimensions: 8.53 x 6.03 x 0.96 inches
- Shipping Weight: 0.88 pounds
- Page Count: 224
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Sian Hughes’ debut novel, Pearl, offers a coming-of-age story set in rural England, one that reverberates with grief and longing, but also a wry humor. As the novel opens, narrator Marianne and her teenage daughter, Susannah, are taking part in an ancient mourning ceremony and fair called the Wakes, in Marianne’s home village in Cheshire. It’s a ceremony that Marianne always attends, one that leads her to ponder the loss of her mother. When Marianne was 8, her mother walked out into the rain one fall day, forever leaving behind Marianne and the rest of their family. Her mother’s unexplained disappearance has colored Marianne’s entire life—a mystery that she can’t move beyond. Marianne recounts her idyllic, idiosyncratic rural childhood in an old farmhouse with her creative mother, who sang folk songs and shared ancient stories. Later, during the bumpy, sad years after the disappearance, Marianne’s father Edward, a history professor, tries to patch together a life for Marianne and her younger brother, Joe. The adult Marianne narrates in an episodic, not-quite-linear fashion, looking back from early middle age to circle the mystery of her mother. The narrative is particularly strong in conveying the younger Marianne’s self-absorbed, mishap-filled adolescence, and her lurch into young adulthood. Pearl was longlisted for the 2023 Booker Prize, and is based in part on a medieval poem of the same title. Hughes, who is a poet herself, brings an attention to language and to the natural world that lends a beautiful vibrancy to her sentences and images. But there’s a droll sensibility here, too: Humor brightens grief-filled and difficult moments, such as an episode of postpartum psychosis. Pearl is also full of the gentle landscape and hallowed folklore of English village life, sometimes with a slightly gothic cast. To that end, each chapter opens with part of a nursery rhyme or nonsense poem (“As I went over the water, / The water went over me. I saw two little blackbirds / Sitting in a tree”). Throughout, the spirit of Marianne’s missing mother hovers, and this underlying mystery pulls the reader forward, though the story remains more immersive than propulsive. Hughes has written a tender debut novel which, at its end, brings the reader back around to the grown Marianne at the Wakes, imbuing the festival with a lovely, redemptive new meaning.
Sian Hughes’ debut novel, Pearl, offers a coming-of-age story set in rural England, one that reverberates with grief and longing, but also a wry humor. As the novel opens, narrator Marianne and her teenage daughter, Susannah, are taking part in an ancient mourning ceremony and fair called the Wakes, in Marianne’s home village in Cheshire. It’s a ceremony that Marianne always attends, one that leads her to ponder the loss of her mother. When Marianne was 8, her mother walked out into the rain one fall day, forever leaving behind Marianne and the rest of their family. Her mother’s unexplained disappearance has colored Marianne’s entire life—a mystery that she can’t move beyond. Marianne recounts her idyllic, idiosyncratic rural childhood in an old farmhouse with her creative mother, who sang folk songs and shared ancient stories. Later, during the bumpy, sad years after the disappearance, Marianne’s father Edward, a history professor, tries to patch together a life for Marianne and her younger brother, Joe. The adult Marianne narrates in an episodic, not-quite-linear fashion, looking back from early middle age to circle the mystery of her mother. The narrative is particularly strong in conveying the younger Marianne’s self-absorbed, mishap-filled adolescence, and her lurch into young adulthood. Pearl was longlisted for the 2023 Booker Prize, and is based in part on a medieval poem of the same title. Hughes, who is a poet herself, brings an attention to language and to the natural world that lends a beautiful vibrancy to her sentences and images. But there’s a droll sensibility here, too: Humor brightens grief-filled and difficult moments, such as an episode of postpartum psychosis. Pearl is also full of the gentle landscape and hallowed folklore of English village life, sometimes with a slightly gothic cast. To that end, each chapter opens with part of a nursery rhyme or nonsense poem (“As I went over the water, / The water went over me. I saw two little blackbirds / Sitting in a tree”). Throughout, the spirit of Marianne’s missing mother hovers, and this underlying mystery pulls the reader forward, though the story remains more immersive than propulsive. Hughes has written a tender debut novel which, at its end, brings the reader back around to the grown Marianne at the Wakes, imbuing the festival with a lovely, redemptive new meaning.