Overview
A New York Times bestseller!
"Kate DiCamillo's dazzling first title in the Norendy Tales trilogy is brimming with wit, whimsy, and heart as it follows five puppets fulfilling their thrilling shared destiny." - Shelf Awareness Shut up in a trunk by a taciturn old sea captain with a secret, five friends--a king, a wolf, a girl, a boy, and an owl--bicker, boast, and comfort one another in the dark. Individually, they dream of song and light, freedom and flight, purpose and glory, but they all agree they are part of a larger story, bound each to each by chance, bonded by the heart's mysteries. When at last their shared fate arrives, landing them on a mantel in a blue room in the home of two little girls, the truth is more astonishing than any of them could have imagined. A beloved author of modern classics draws on her most moving themes with humor, heart, and wisdom in the first of the Norendy Tales, a projected trio of novellas linked by place and mood, each illustrated in black and white by a different virtuoso illustrator. A magical and beautifully packaged gift volume designed to be read aloud and shared, The Puppets of Spelhorst is a tale that soothes and strengthens us on our journey, leading us through whatever dark forest we find ourselves in.
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Details
- ISBN-13: 9781536216752
- ISBN-10: 1536216755
- Publisher: Candlewick Press (MA)
- Publish Date: October 2023
- Dimensions: 8 x 5.45 x 0.6 inches
- Shipping Weight: 0.75 pounds
- Page Count: 160
- Reading Level: Ages 7-9
Related Categories
A new book from Kate DiCamillo always gives reason to celebrate, and her latest fairy tale is no exception. The Puppets of Spelhorst (Candlewick, $17.99, 9781536216752) is the first of a trio of novellas called the Norendy Tales. Linked together by a common atmosphere and setting, each book is to be illustrated in black and white by a different artist. (DiCamillo first ventured into the atmosphere of this series with a bonus fairy tale called “The Tapestry at Norendy” included in the 20th anniversary edition of The Tale of Despereaux.) The Puppets of Spelhorst salutes the power of storytelling through a tale of five puppets—a king, a wolf, an owl, a boy and a girl—who are passed from person to person, before finally coming to life in a play through the hands of two young girls and a maid. The book opens with a lonely old sea captain named Spelhorst buying a box of puppets because the girl puppet reminds him of his long-lost love, Annalise. As the puppets wait “to be part of a story,” their distinct personalities and desires emerge, accompanied by DiCamillo’s trademark dashes of humor. For instance, the wolf puppet is obsessed with his sharp teeth, while the owl puppet says wise things and dreams of flying. But as the girl puppet tells everyone, “We are all here in the dark together. How will it help us to fight with one another?” The Puppets of Spelhorst’s short chapters of simple yet often profound prose beg to be read aloud. This exciting, fast-paced story contains several pointed touches of female empowerment as well as a glorious surprise ending that is revealed in a full-page spread. Julie Morstad’s illustrations do an excellent job of setting an old-fashioned, fairy-tale mood while achieving a delicate feat: making these puppets look both inanimate yet lively. Morstad’s art contributes to both this tale’s momentum and meaning—such as when the wolf puppet is carried away by a fox, or when Spelhorst gazes regretfully at the girl puppet. As the girl puppet concludes, “Stories without end—watching them unfold, being a part of their unfolding—what a blessing that would be.” Such a sentiment might be applied to the experience of reading DiCamillo’s books. With all the makings of a classic fairy tale, The Puppets of Spelhorst skillfully addresses many of DiCamillo’s favorite themes: the power of love and togetherness; the many unexpected wonders of the world; the importance of following one’s dreams; and the majesty of stories and storytelling.
A new book from Kate DiCamillo always gives reason to celebrate, and her latest fairy tale is no exception. The Puppets of Spelhorst (Candlewick, $17.99, 9781536216752) is the first of a trio of novellas called the Norendy Tales. Linked together by a common atmosphere and setting, each book is to be illustrated in black and white by a different artist. (DiCamillo first ventured into the atmosphere of this series with a bonus fairy tale called “The Tapestry at Norendy” included in the 20th anniversary edition of The Tale of Despereaux.) The Puppets of Spelhorst salutes the power of storytelling through a tale of five puppets—a king, a wolf, an owl, a boy and a girl—who are passed from person to person, before finally coming to life in a play through the hands of two young girls and a maid. The book opens with a lonely old sea captain named Spelhorst buying a box of puppets because the girl puppet reminds him of his long-lost love, Annalise. As the puppets wait “to be part of a story,” their distinct personalities and desires emerge, accompanied by DiCamillo’s trademark dashes of humor. For instance, the wolf puppet is obsessed with his sharp teeth, while the owl puppet says wise things and dreams of flying. But as the girl puppet tells everyone, “We are all here in the dark together. How will it help us to fight with one another?” The Puppets of Spelhorst’s short chapters of simple yet often profound prose beg to be read aloud. This exciting, fast-paced story contains several pointed touches of female empowerment as well as a glorious surprise ending that is revealed in a full-page spread. Julie Morstad’s illustrations do an excellent job of setting an old-fashioned, fairy-tale mood while achieving a delicate feat: making these puppets look both inanimate yet lively. Morstad’s art contributes to both this tale’s momentum and meaning—such as when the wolf puppet is carried away by a fox, or when Spelhorst gazes regretfully at the girl puppet. As the girl puppet concludes, “Stories without end—watching them unfold, being a part of their unfolding—what a blessing that would be.” Such a sentiment might be applied to the experience of reading DiCamillo’s books. With all the makings of a classic fairy tale, The Puppets of Spelhorst skillfully addresses many of DiCamillo’s favorite themes: the power of love and togetherness; the many unexpected wonders of the world; the importance of following one’s dreams; and the majesty of stories and storytelling.