Overview
Longlisted for the Andrew Carnegie Medals of Excellence
Winner of the Janet Heidinger Kafka Prize
Winner of the Chinese American Librarians Association (CALA) Best Book AwardA harrowing and redemptive immigrant story for readers of PachinkoA Chinese railroad worker and his young daughter--sold into servitude--in 19th century California search for family, fulfillment, and belonging in a violent new land "Heaven and earth do not pick and choose.
They see everything as straw dogs." A sweeping historical novel of the American West from the little-seen perspective of those who helped to build it, Straw Dogs of the Universe traces the story of one Chinese father and his young daughter, desperate to find him against all odds. After her village is devastated by famine, 10-year-old Sixiang is sold to a human trafficker for a bag of rice and six silver coins. Her mother is reluctant to let her go, but the promise of a better life for her beloved daughter ultimately sways her. Arriving in America with the profits from her sale and a single photograph of Guifeng, her absent father, Sixiang journeys across an unfamiliar American landscape in the hopes of reuniting her family. As she makes her way through an unforgiving new world, her father, a railroad worker in California, finds his attempts to build a life for himself both upended and defined by along-lost love and the seemingly inescapable violence of the American West. A generational saga ranging from the villages of China to the establishment of the transcontinental railroad and the anti-Chinese movement in California, Straw Dogs of the Universe considers the tenacity of family ties and the courage it takes to survive in a country that rejects you, even as it relies upon your labor.
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Details
- ISBN-13: 9781646220625
- ISBN-10: 1646220625
- Publisher: Catapult
- Publish Date: October 2023
- Dimensions: 8.35 x 5.59 x 1.18 inches
- Shipping Weight: 1.05 pounds
- Page Count: 336
Related Categories
Ye Chun’s ambitious first novel, Straw Dogs of the Universe presents a concise dramatization of the history of early Chinese immigration to the American West. Many of us know the outlines of this era, which began with the importation of Chinese labor for the construction of the transcontinental railroad and ended with the Chinese Exclusion Act in 1882, the first law to restrict immigration to the U.S. based on race or ethnicity. Using a relatively small number of characters, Chun personalizes both the fear and despair that pervaded the lives of so many of these immigrants, and the fortitude, hope and love that they cultivated anyway. The central quest of the novel is for Sixiang to find her father, Guifeng, whom she has never met. Sixiang is 10 years old when her village in Guangdong, China, is destroyed by a flood and subsequent famine. She holds faith in her ability to survive even after her mother, for food and money, trades her to a trafficker who transports her to “Gold Mountain,” a Chinese name for the western U.S. in the period during and after the California Gold Rush. Too young for prostitution, she is sold as a house servant, then taken in by missionaries. After escaping the mission and sheltering with a man who had known her father while working on the railroad, Sixiang begins the journey that takes her into the Sierra near Truckee, California. In alternate chapters, we learn about the life of Sixiang’s father, Guifeng. Tantalized by his own father’s dream of Gold Mountain, he leaves home and contracts with a railroad building team. On his first and only day in San Francisco, he sees a woman from his village he had loved from afar as a boy, Feiyan, who has been enslaved as a prostitute. Although he is sent the following day to a work site in the Sierra, he continues to obsess over Feiyan, eventually returning to help her escape and later starting a second family with her. But his new life falters when he becomes addicted to opium. At each juncture of her story, Chun examines both large-scale injustices—Chinese people murdered and their white killers released—and smaller humiliations—a temporary employer finds Sixiang’s name too hard to say and instead calls her “Cindy.” The novel culminates with the expulsion of Chinese immigrants from Truckee, once the second largest Chinatown in the US. It is a time of shock and terror, but for this novel’s protagonists, also a time of adaptation and endurance.
Ye Chun’s ambitious first novel, Straw Dogs of the Universe presents a concise dramatization of the history of early Chinese immigration to the American West. Many of us know the outlines of this era, which began with the importation of Chinese labor for the construction of the transcontinental railroad and ended with the Chinese Exclusion Act in 1882, the first law to restrict immigration to the U.S. based on race or ethnicity. Using a relatively small number of characters, Chun personalizes both the fear and despair that pervaded the lives of so many of these immigrants, and the fortitude, hope and love that they cultivated anyway. The central quest of the novel is for Sixiang to find her father, Guifeng, whom she has never met. Sixiang is 10 years old when her village in Guangdong, China, is destroyed by a flood and subsequent famine. She holds faith in her ability to survive even after her mother, for food and money, trades her to a trafficker who transports her to “Gold Mountain,” a Chinese name for the western U.S. in the period during and after the California Gold Rush. Too young for prostitution, she is sold as a house servant, then taken in by missionaries. After escaping the mission and sheltering with a man who had known her father while working on the railroad, Sixiang begins the journey that takes her into the Sierra near Truckee, California. In alternate chapters, we learn about the life of Sixiang’s father, Guifeng. Tantalized by his own father’s dream of Gold Mountain, he leaves home and contracts with a railroad building team. On his first and only day in San Francisco, he sees a woman from his village he had loved from afar as a boy, Feiyan, who has been enslaved as a prostitute. Although he is sent the following day to a work site in the Sierra, he continues to obsess over Feiyan, eventually returning to help her escape and later starting a second family with her. But his new life falters when he becomes addicted to opium. At each juncture of her story, Chun examines both large-scale injustices—Chinese people murdered and their white killers released—and smaller humiliations—a temporary employer finds Sixiang’s name too hard to say and instead calls her “Cindy.” The novel culminates with the expulsion of Chinese immigrants from Truckee, once the second largest Chinatown in the US. It is a time of shock and terror, but for this novel’s protagonists, also a time of adaptation and endurance.