Overview
Underworlds takes readers on a captivating visual odyssey to the underbelly of everything, beginning with depictions of life and natural systems existing beneath the surface of the Earth and ending with imagery that emanates from the depths of our subconscious. Work by world-renowned artists--from Peter Paul Rubens and Ren Magritte to contemporary artists such as Kara Walker and Roger Ballen--is featured alongside recently unearthed images from archives around the world. Expertly curated, themed, and paired by image alchemist Stephen Ellcock, these remarkable depictions evoke the underworlds--both real and imagined--that have fascinated humankind for millennia.
From the burrows and secret bunkers beneath our feet to imagined hellscapes and surrealist dreamscapes, the disquieting, alarming, and wonderful visuals span natural and constructed subterranea and imagined and subconscious worlds. The works of art featured range from the scientific and photographic to the surreal and visionary. A personal introduction by Ellcock together with contextual chapter introductions establish key themes while panel texts elucidate essential concepts, historical events, and figures. Thought-provoking literary, philosophical, and spiritual quotations punctuate the intriguing images.
Together, the arresting images and authoritative text highlight the interplay between the real and the imagined, revealing how the real has informed our imagination, and conversely how our imagination has depicted the esoteric, the abject, and the unknown.
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Details
- ISBN-13: 9780500026311
- ISBN-10: 0500026319
- Publisher: Thames & Hudson
- Publish Date: October 2023
- Dimensions: 9.16 x 6.64 x 0.86 inches
- Shipping Weight: 1.55 pounds
- Page Count: 256
Related Categories
What comes to mind upon hearing the phrase “beneath the surface”? Stephen Ellcock’s Underworlds: A Compelling Journey Through Subterranean Realms, Real and Imagined (Thames & Hudson, $35, 9780500026311) rouses our minds from “a world of surfaces, of gloss and illusion and first impressions, a global empire of signs, sensory saturation and instant gratification” to remember the dark, labyrinthine world of the subterranean that has, since time immemorial, served as a wellspring of awe and fear for humankind. Known for curating online art galleries on social media, Ellcock presents an eclectic yet coherent collection of images ranging from dizzying ossuaries, to nightmarish animals of the deep sea, to the soothing colors of agates, to the sophisticated structures of mycorrhizal fungi. Underworlds is split into five sections encompassing both the real and the imaginary. Ellcock pulls off an impressive feat in gathering material from sources as diverse and multifaceted as an underground ecosystem: In his quest to inspire, he moves not only between continents and time periods, but also disciplines such as philosophy, biology, art history and literature. Surreal, intricate artworks and photographs are accompanied by an even pacing of Ellcock’s own prose and factual explanations, as well as excerpts from others’ musings. The result is a dreamlike atmosphere and a trove of information that will leave readers with a newfound connection to the realms below us, which we have too often mindlessly ransacked for profit. As Ellcock writes, if we “heed the echoes of eternity calling from the lower depths,” we might just “claw our way back out of darkness.”
What comes to mind upon hearing the phrase “beneath the surface”? Stephen Ellcock’s Underworlds: A Compelling Journey Through Subterranean Realms, Real and Imagined (Thames & Hudson, $35, 9780500026311) rouses our minds from “a world of surfaces, of gloss and illusion and first impressions, a global empire of signs, sensory saturation and instant gratification” to remember the dark, labyrinthine world of the subterranean that has, since time immemorial, served as a wellspring of awe and fear for humankind. Known for curating online art galleries on social media, Ellcock presents an eclectic yet coherent collection of images ranging from dizzying ossuaries, to nightmarish animals of the deep sea, to the soothing colors of agates, to the sophisticated structures of mycorrhizal fungi. Underworlds is split into five sections encompassing both the real and the imaginary. Ellcock pulls off an impressive feat in gathering material from sources as diverse and multifaceted as an underground ecosystem: In his quest to inspire, he moves not only between continents and time periods, but also disciplines such as philosophy, biology, art history and literature. Surreal, intricate artworks and photographs are accompanied by an even pacing of Ellcock’s own prose and factual explanations, as well as excerpts from others’ musings. The result is a dreamlike atmosphere and a trove of information that will leave readers with a newfound connection to the realms below us, which we have too often mindlessly ransacked for profit. As Ellcock writes, if we “heed the echoes of eternity calling from the lower depths,” we might just “claw our way back out of darkness.”