Victoria|Goodwin, Daisy
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"Victoria is an absolutely captivating novel of youth, love, and the often painful transition from immaturity to adulthood. Daisy Goodwin breathes new life into Victoria's story, and does so with sensitivity, verve, and wit."

I do not like the name Alexandrina. From now on I wish to be known only by my second name, Victoria.
Melbourne nodded. "Victoria."

Early one morning, less than a month after her eighteenth birthday, Alexandrina Victoria is roused from bed with the news that her uncle William IV has died and she is now Queen of England. The men who run the country have doubts about whether this sheltered young woman, who stands less than five feet tall, can rule the greatest nation in the world. Surely she must rely on her mother and her venal advisor, Sir John Conroy, or her uncle, the Duke of Cumberland, who are all too eager to relieve her of the burdens of power.

The young queen is no puppet, however. She has very definite ideas about the kind of queen she wants to be, and the first thing is to choose her name.

Everyone keeps saying she is destined to marry her first cousin, Prince Albert of Saxe-Coburg-Gotha, but Victoria found him dull and priggish when they met three years ago. She is quite happy being queen with the help of her prime minister, Lord Melbourne, who may be old enough to be her father but is the first person to take her seriously.

Drawing on Victoria s diaries, which she first started reading when she was a student at Cambridge University, as well as her own brilliant gifts for history and drama, Daisy Goodwin, author of the bestselling novels The American Heiress and The Fortune Hunter as well as creator and writer of the new PBS/Masterpiece drama Victoria, brings the young queen richly to life in this magnificent novel.



  • ISBN-13: 9781250045461
  • ISBN-10: 1250045460
  • Publisher: Book Depot
  • Publish Date: August 2017

England's leading lady

Two new books, one fiction and one nonfiction, offer insight into Britain’s Queen Victoria, who reigned during a time of radical change. 

British writer Daisy Goodwin’s novel Victoria is a delicious introduction to the young monarch’s world. Meant as a companion to the PBS series of the same name, which will air in the U.S. in January, it tells the story of Victoria’s personal and political struggles after her ascension to the throne. Goodwin’s engaging style is immediately captivating, and she deftly brings fresh life to a story familiar to many. 

All historical fiction takes liberties, but Goodwin stays true to the basic facts while imaginatively filling in gaps in the record. Her queen is strong-willed and impetuous: a classic teenager, but one with a great deal more power than her counterparts. She frees herself from the control of her mother and Sir John Conroy, bonds with her first Prime Minister and navigates the difficult world between adolescence and adulthood. Goodwin makes us care about Victoria the girl, even when she behaves badly, because she breathes humanity into her. 

One notable aspect of Goodwin’s account is her depiction of Victoria falling in love with Prime Minister Lord Melbourne. Readers who wonder if Goodwin is taking liberties here can turn to Julia Baird’s impressive biography Victoria: The Queen for answers—Baird confirms that the Queen had quite a crush on her Prime Minister. While many biographies can be a slog to read, Baird’s is a delight. She uses her sources well while employing a narrative style that is a joy to read; all history should be this well-written.  

Victoria was a complex woman, and Baird presents the queen in all her contradictions. We cringe at her notorious tantrums and cheer when she manages to outmaneuver more experienced ministers. Baird reminds us that some commonly accepted truths about Victoria don’t hold up under scrutiny. For example, Baird argues against the idea that after Albert’s death, Victoria all but abandoned her responsibilities. While her devotion to mourning and excessive displays of grief are well-known, Victoria did not completely remove herself from the business of running the Empire.

Much of the difficulty in painting a full picture of the Queen comes from the destruction of many of her letters and diaries, done on Victoria’s orders. Later, the male editors of her correspondence excluded much they deemed unfeminine or inappropriate. Baird does a thorough job of synthesizing the primary sources that do exist, and even manages to dig up new information on the queen’s controversial relationship with her Highland servant, John Brown. A woman of her time, Victoria did not fight for women’s rights and was opposed to women’s suffrage. She was often more interested in intervening in individual situations than pushing for sweeping reforms, yet Baird skillfully avoids judging Victoria by modern standards.

Goodwin and Baird have given us two books that complement each other beautifully, offering readers the chance to learn more about one of Britain’s most famous queens. 

Novelist Tasha Alexander is the author of the bestselling Lady Emily series, set in the Victorian era.


This article was originally published in the December 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.