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NEW YORK TIMES BESTSELLER - The epic tale of a woman who breathes a fantastical empire into existence, only to be consumed by it over the centuries--from the transcendent imagination of Booker Prize-winning, internationally bestselling author Salman Rushdie Salman Rushdie is one of Time's 100 Most Influential People of the Year - "Victory City is a triumph--not because it exists, but because it is utterly enchanting."--The Atlantic
A BEST BOOK OF THE YEAR: The New York Times Book Review, The New Yorker, Time, NPR, The Washington Post, Chicago Public Library, Polygon, The Globe and Mail, Bookreporter In the wake of an unimportant battle between two long-forgotten kingdoms in fourteenth-century southern India, a nine-year-old girl has a divine encounter that will change the course of history. After witnessing the death of her mother, the grief-stricken Pampa Kampana becomes a vessel for a goddess, who begins to speak out of the girl's mouth. Granting her powers beyond Pampa Kampana's comprehension, the goddess tells her that she will be instrumental in the rise of a great city called Bisnaga--"victory city"--the wonder of the world. Over the next 250 years, Pampa Kampana's life becomes deeply interwoven with Bisnaga's, from its literal sowing from a bag of magic seeds to its tragic ruination in the most human of ways: the hubris of those in power. Whispering Bisnaga and its citizens into existence, Pampa Kampana attempts to make good on the task that the goddess set for her: to give women equal agency in a patriarchal world. But all stories have a way of getting away from their creator, and Bisnaga is no exception. As years pass, rulers come and go, battles are won and lost, and allegiances shift, the very fabric of Bisnaga becomes an ever more complex tapestry--with Pampa Kampana at its center. Brilliantly styled as a translation of an ancient epic, Victory City is a saga of love, adventure, and myth that is in itself a testament to the power of storytelling.
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Details
- ISBN-13: 9780593243398
- ISBN-10: 0593243390
- Publisher: Random House
- Publish Date: February 2023
- Dimensions: 9.8 x 6.6 x 1.2 inches
- Shipping Weight: 1.3 pounds
- Page Count: 352
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With a magical protagonist and a vivid cast of heroic and devious characters, it’s easy to imagine Salman Rushdie’s fantastical 15th novel as a thrilling, multipart Bollywood epic. Victory City marks the author’s return to the long arc of Indian history, taking readers on a frisky romp through nearly three centuries of south Indian lore.
Rushdie’s endnotes cite numerous historical works he consulted about the Vijayanagara Empire (14th–17th centuries) while composing the novel. Google Vijayanagar, the city in which the novel is set, and you’ll discover its translation from Sanskrit is indeed “City of Victory.” Search the internet for the shepherd brothers Hukka and Bukka, and you’ll find they were the first kings of the empire. Look for Domingo Nunes, a character who humorously reappears in various incarnations to Pampa Kampana, the novel’s heroine, and you’ll encounter an amalgam of two Portuguese men who wrote with amazement about their early travels through the empire.
But search for Pampa Kampana, and nothing. She is Rushdie’s marvelous invention. At 9 years old, she witnesses the downfall of the old king. She sees the submissive women of the defeated kingdom, including her mother, go willingly to their deaths by fire. But Pampa rejects this path, steps away from the fire and, in anger and anguish, is overtaken by the voice of the gods. She becomes a prophet who gives the shepherd brothers the magical seeds to grow Victory City. She whispers the history of the future empire into the ears of its newly formed citizens. She gives them a past and a present.
Over the 247 years of her life, Pampa sees the birth of the empire, suffers exile in the Forest of Women, stealthily returns to eventual triumph and then experiences the empire’s final fall. She writes this history down as the empire collapses and hides her account in an urn. Four hundred years later, her words are discovered.
Rushdie tells his tale with a generous and irreverent spirit. Victory City is accessible in a way that suggests he had fun writing it, but this is no lightweight novel. Pampa is the incarnation of the humane values of this (or any) empire, and when she is in ascendance, the empire’s arts and beneficial technologies are ennobled. Women serve as warriors and empire officials. People of all religions are embraced. The empire comes close to being what today we would call an open society, and its collapse is a direct result of turning its back on these values.
With a magical protagonist and a vivid cast of heroic and devious characters, it’s easy to imagine Salman Rushdie’s fantastical 15th novel as a thrilling, multipart Bollywood epic. Victory City marks the author’s return to the long arc of Indian history, taking readers on a frisky romp through nearly three centuries of south Indian lore.
Rushdie’s endnotes cite numerous historical works he consulted about the Vijayanagara Empire (14th–17th centuries) while composing the novel. Google Vijayanagar, the city in which the novel is set, and you’ll discover its translation from Sanskrit is indeed “City of Victory.” Search the internet for the shepherd brothers Hukka and Bukka, and you’ll find they were the first kings of the empire. Look for Domingo Nunes, a character who humorously reappears in various incarnations to Pampa Kampana, the novel’s heroine, and you’ll encounter an amalgam of two Portuguese men who wrote with amazement about their early travels through the empire.
But search for Pampa Kampana, and nothing. She is Rushdie’s marvelous invention. At 9 years old, she witnesses the downfall of the old king. She sees the submissive women of the defeated kingdom, including her mother, go willingly to their deaths by fire. But Pampa rejects this path, steps away from the fire and, in anger and anguish, is overtaken by the voice of the gods. She becomes a prophet who gives the shepherd brothers the magical seeds to grow Victory City. She whispers the history of the future empire into the ears of its newly formed citizens. She gives them a past and a present.
Over the 247 years of her life, Pampa sees the birth of the empire, suffers exile in the Forest of Women, stealthily returns to eventual triumph and then experiences the empire’s final fall. She writes this history down as the empire collapses and hides her account in an urn. Four hundred years later, her words are discovered.
Rushdie tells his tale with a generous and irreverent spirit. Victory City is accessible in a way that suggests he had fun writing it, but this is no lightweight novel. Pampa is the incarnation of the humane values of this (or any) empire, and when she is in ascendance, the empire’s arts and beneficial technologies are ennobled. Women serve as warriors and empire officials. People of all religions are embraced. The empire comes close to being what today we would call an open society, and its collapse is a direct result of turning its back on these values.