This Thing of Ours : (A Coming-Of-Age Young Adult Novel That Confronts Racism, Classism, Homophobia, and Book Banning)
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Overview
An instant New York Times bestseller!
"A thought-provoking exploration of storytelling dynamics in a social media-driven society." --Kirkus Reviews (starred review)
The powerful and timely YA novel debut from three-time New York Times best-selling author Frederick Joseph is a deeply heartfelt story--and a rallying cry against book banning. In an instant, Ossie Brown's entire future is in jeopardy when a torn ACL ends his promising basketball career. Now that basketball is no longer a major part of his identity, Ossie--a Black teen who doesn't come from wealth and privilege--must navigate his new place in the social and academic ecosystems of his affluent, predominantly white school. When a Black teacher encourages him to join her highly regarded writing program, Ossie begins to find a new purpose, buoyed by not only the rich works of literature by marginalized authors he's now reading, but also by new friends who see him as something more than an asset to the sports program. Everything changes when some students' viral "anti-woke" video puts the teacher's job, the writing program, and even Ossie's friends' safety at risk--and Ossie must find his true voice. This unflinching novel confronts critical issues like racism and classism, the treatment of student athletes, homophobia, and book banning while weaving together a moving testament to family, romance, friendship, and the power of words.
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Details
- ISBN-13: 9781536233469
- ISBN-10: 1536233463
- Publisher: Candlewick Press (MA)
- Publish Date: May 2025
- Dimensions: 8.3 x 5.7 x 1.4 inches
- Shipping Weight: 1 pounds
- Page Count: 384
- Reading Level: Ages 14-UP
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Ossie Brown is ranked the third-best high school basketball player in the country and seems set to follow in the legendary footsteps of his late father, until a devastating knee injury ends his promising career. Six months later, Ossie starts his senior year without basketball or his ex-girlfriend, Laura—who ditched Ossie when he lost his star status—to get him through the alienating experience of being Black and working class amid the predominantly white, wealthy student body at Braxton Academy. Ossie’s former teammates now distance themselves, while his classmates freely let him know they think he doesn’t belong: “You’re just a welfare baby from the ghetto,” one says.
But Ms. Hunt, an English teacher, sees that Ossie has other talents, too, and she encourages him to apply last-minute to the school’s prestigious creative writing program. Ossie’s resulting heartbreaking essay depicts basketball as his lost hope for breaking his family out of a cycle of poverty that has spanned generations, from sharecropping in Georgia to their present life in the South Yonkers projects: “Boys like me aren’t given the sky and whatever is beyond it. Boys like me are told that we’re too dark to fly any closer to the sun.” The creative writing program becomes a space where Ossie’s burgeoning artist’s voice flourishes, as Ms. Hunt introduces the students to Black writers like Toni Morrison and James Baldwin, who—despite being considered among the greatest writers in American history—are not given proportional weight at Braxton. Although this opens exciting avenues of creativity for students like Ossie and his new friends Luis and Naima, other students take to social media and leverage their potent connections to smear Ms. Hunt’s “woke agenda,” drawing national attention and leading to a conflict that spirals with dizzying intensity.
Frederick Joseph constructs a true roller coaster of a narrative in This Thing of Ours, painting Ossie’s complex struggles in language that is both poetic and engaging for a young adult audience. Impressively, the plot’s momentum stays strong even when dipping into the stories of the other characters, such as Naima, whose father was viciously beaten by police, and Luis, who has not yet come out as gay to his homophobic parents. Ossie and his friends’ fight against powerful, seemingly unstoppable forces determined to block the teaching of iconic literary voices for the reason of being too “diverse” is almost frustratingly realistic, with moments of vivid despair. However, This Thing of Ours doesn’t lose sight of its hopeful heart, and readers will be moved by the thoughtful, unexpected ways in which Joseph develops Ossie and his journey to be heard.
Ossie Brown is ranked the third-best high school basketball player in the country and seems set to follow in the legendary footsteps of his late father, until a devastating knee injury ends his promising career. Six months later, Ossie starts his senior year without basketball or his ex-girlfriend, Laura—who ditched Ossie when he lost his star status—to get him through the alienating experience of being Black and working class amid the predominantly white, wealthy student body at Braxton Academy. Ossie’s former teammates now distance themselves, while his classmates freely let him know they think he doesn’t belong: “You’re just a welfare baby from the ghetto,” one says.
But Ms. Hunt, an English teacher, sees that Ossie has other talents, too, and she encourages him to apply last-minute to the school’s prestigious creative writing program. Ossie’s resulting heartbreaking essay depicts basketball as his lost hope for breaking his family out of a cycle of poverty that has spanned generations, from sharecropping in Georgia to their present life in the South Yonkers projects: “Boys like me aren’t given the sky and whatever is beyond it. Boys like me are told that we’re too dark to fly any closer to the sun.” The creative writing program becomes a space where Ossie’s burgeoning artist’s voice flourishes, as Ms. Hunt introduces the students to Black writers like Toni Morrison and James Baldwin, who—despite being considered among the greatest writers in American history—are not given proportional weight at Braxton. Although this opens exciting avenues of creativity for students like Ossie and his new friends Luis and Naima, other students take to social media and leverage their potent connections to smear Ms. Hunt’s “woke agenda,” drawing national attention and leading to a conflict that spirals with dizzying intensity.
Frederick Joseph constructs a true roller coaster of a narrative in This Thing of Ours, painting Ossie’s complex struggles in language that is both poetic and engaging for a young adult audience. Impressively, the plot’s momentum stays strong even when dipping into the stories of the other characters, such as Naima, whose father was viciously beaten by police, and Luis, who has not yet come out as gay to his homophobic parents. Ossie and his friends’ fight against powerful, seemingly unstoppable forces determined to block the teaching of iconic literary voices for the reason of being too “diverse” is almost frustratingly realistic, with moments of vivid despair. However, This Thing of Ours doesn’t lose sight of its hopeful heart, and readers will be moved by the thoughtful, unexpected ways in which Joseph develops Ossie and his journey to be heard.
