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{ "item_title" : "Abstract Landscapes", "item_author" : [" Chris Coles "], "item_description" : "Two great American painters, Mark Rothko and Milton Avery, were both interested in the idea that the essence of a painting was not its illusory representation of reality and depth but instead the painting's colors and their relation to each other. Rothko thought that a painting should have no Representation of Reality at all. Just be blocks of different colors. And, while Avery agreed that Color Fields, colors and their relationship with each other, were a crucial element in a painting, he also thought paintings should have, however vague and abstract, some reference to Representational Reality. In this series of abstract landscapes, I tried to find a Middle Path between Representational Reality and pure Color Fields. Even though I later developed a more representational style similar to the German Expressionists, I still see my often heavily distorted representational images as opportunities for extreme use of non-representational color.", "item_img_path" : "https://covers3.booksamillion.com/covers/bam/1/07/272/339/1072723395_b.jpg", "price_data" : { "retail_price" : "22.00", "online_price" : "22.00", "our_price" : "22.00", "club_price" : "22.00", "savings_pct" : "0", "savings_amt" : "0.00", "club_savings_pct" : "0", "club_savings_amt" : "0.00", "discount_pct" : "10", "store_price" : "" } }
Abstract Landscapes|Chris Coles

Abstract Landscapes

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Overview

Two great American painters, Mark Rothko and Milton Avery, were both interested in the idea that the essence of a painting was not its illusory representation of "reality and depth" but instead the painting's colors and their relation to each other. Rothko thought that a painting should have no "Representation of Reality" at all. Just be blocks of different colors. And, while Avery agreed that Color Fields, colors and their relationship with each other, were a crucial element in a painting, he also thought paintings should have, however vague and abstract, some reference to "Representational Reality". In this series of abstract landscapes, I tried to find a Middle Path between "Representational Reality" and pure "Color Fields". Even though I later developed a more representational style similar to the German Expressionists, I still see my often heavily distorted representational images as opportunities for extreme use of non-representational color.

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Details

  • ISBN-13: 9781072723394
  • ISBN-10: 1072723395
  • Publisher: Independently Published
  • Publish Date: June 2019
  • Dimensions: 8.5 x 8.5 x 0.28 inches
  • Shipping Weight: 0.62 pounds
  • Page Count: 108

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