Overview
From Boston Globe-Horn Book Award winner Jack Wong, a story of a boy who discovers that the more he learns, the more there is to know!
On their neighborhood walks together, a boy learns from his older sister all about the plants they see -- magnolias that smell like lemon cake, creeping weeds that used to be planted for decoration, and even how dandelion greens can be eaten with spaghetti! But what makes a plant a flower, vegetable or weed, anyway? How can his sister tell, and how does she know so much?
The boy's head spins as he realizes how vast the universe is and how much there is to learn ... until he resolves to let his knowledge grow in its own way and time, just like the mysterious plants he has decided to nurture in the garden.
Award-winning creator Jack Wong brings us a delightful, nuanced story about cultivating patience and letting knowledge grow.
Key Text Features
dialogue
illustrations
Correlates to the Common Core States Standards in English Language Arts:
CCSS.ELA-LITERACY.RL.1.2
Retell stories, including key details, and demonstrate understanding of their central message or lesson.
CCSS.ELA-LITERACY.RL.1.4
Identify words and phrases in stories or poems that suggest feelings or appeal to the senses.
CCSS.ELA-LITERACY.RL.1.7
Use illustrations and details in a story to describe its characters, setting, or events.
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Details
- ISBN-13: 9781773068121
- ISBN-10: 1773068121
- Publisher: Groundwood Books
- Publish Date: March 2024
- Dimensions: 9.21 x 10.55 x 0.47 inches
- Shipping Weight: 0.97 pounds
- Page Count: 32
- Reading Level: Ages 3-6
Related Categories
A boy and his sister wander their quiet neighborhood and admire the life bursting into color around them. The boy’s sister tells him about the burgeoning flowers and trees they pass, dropping small seeds of curiosity that take root in the boy’s mind.
As the season blooms into summer, the siblings tend to a garden. Though the boy loves to help his sister nurture and weed the vegetable patch, he also ponders the weeds themselves: Why are some plants cultivated, while others are yanked from the ground before they’re given a chance to thrive?
Award-winning author (When You Can Swim) Jack Wong’s All That Grows is a delicate but powerful ode to curiosity and the delights to be found in the natural world. There is an eloquent simplicity to the story and its contained focus. Wong’s narrator, the unnamed boy, is quiet and thoughtful as he describes his surroundings and experiences in vivid, sensory ways: “Overnight, the trees go from bare to bursting with leaves, turning the streets into enormous green caverns.” In a way, the writing feels like a photographer’s macro lens, homing in on the tiny universes unfurling inside something bigger.
Wong’s illustrations parallel this idea as they zoom in and out of the book’s verdant, sun-dappled setting. The beautifully textured pastel drawings are realistic, but they also possess a subtle whimsy in their decidedly childlike perspective. Whether it’s the way everything seems to glow at the edges or the exclusion of adults (save one lone glimpse), the effect is potent. In some near-intangible way, Wong has evoked the soft haze of childhood summers where a small stand of trees might be seen as a huge forest, and a field of dandelions offers magical, unfettered possibility.
A boy and his sister wander their quiet neighborhood and admire the life bursting into color around them. The boy’s sister tells him about the burgeoning flowers and trees they pass, dropping small seeds of curiosity that take root in the boy’s mind.
As the season blooms into summer, the siblings tend to a garden. Though the boy loves to help his sister nurture and weed the vegetable patch, he also ponders the weeds themselves: Why are some plants cultivated, while others are yanked from the ground before they’re given a chance to thrive?
Award-winning author (When You Can Swim) Jack Wong’s All That Grows is a delicate but powerful ode to curiosity and the delights to be found in the natural world. There is an eloquent simplicity to the story and its contained focus. Wong’s narrator, the unnamed boy, is quiet and thoughtful as he describes his surroundings and experiences in vivid, sensory ways: “Overnight, the trees go from bare to bursting with leaves, turning the streets into enormous green caverns.” In a way, the writing feels like a photographer’s macro lens, homing in on the tiny universes unfurling inside something bigger.
Wong’s illustrations parallel this idea as they zoom in and out of the book’s verdant, sun-dappled setting. The beautifully textured pastel drawings are realistic, but they also possess a subtle whimsy in their decidedly childlike perspective. Whether it’s the way everything seems to glow at the edges or the exclusion of adults (save one lone glimpse), the effect is potent. In some near-intangible way, Wong has evoked the soft haze of childhood summers where a small stand of trees might be seen as a huge forest, and a field of dandelions offers magical, unfettered possibility.