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{ "item_title" : "Brecht at the Opera", "item_author" : [" Joy H. Calico "], "item_description" : "From an award-winning author, the first thorough examination of the important influence of opera on Brecht's writings. Brecht at the Opera looks at the German playwright's lifelong ambivalent engagement with opera. An ardent opera lover in his youth, Brecht later denounced the genre as decadent and irrelevant to modern society even as he continued to work on opera projects throughout his career. He completed three operas and attempted two dozen more with composers such as Kurt Weill, Paul Hindemith, Hanns Eisler, and Paul Dessau. Joy H. Calico argues that Brecht's simultaneous work on opera and Lehrst ck in the 1920s generated the new concept of audience experience that would come to define epic theater, and that his revisions to the theory of Gestus in the mid-1930s are reminiscent of nineteenth-century opera performance practices of mimesis.", "item_img_path" : "https://covers2.booksamillion.com/covers/bam/0/52/031/426/0520314263_b.jpg", "price_data" : { "retail_price" : "39.95", "online_price" : "39.95", "our_price" : "39.95", "club_price" : "39.95", "savings_pct" : "0", "savings_amt" : "0.00", "club_savings_pct" : "0", "club_savings_amt" : "0.00", "discount_pct" : "10", "store_price" : "" } }
Brecht at the Opera|Joy H. Calico

Brecht at the Opera : Volume 9

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Overview

From an award-winning author, the first thorough examination of the important influence of opera on Brecht's writings. Brecht at the Opera looks at the German playwright's lifelong ambivalent engagement with opera. An ardent opera lover in his youth, Brecht later denounced the genre as decadent and irrelevant to modern society even as he continued to work on opera projects throughout his career. He completed three operas and attempted two dozen more with composers such as Kurt Weill, Paul Hindemith, Hanns Eisler, and Paul Dessau. Joy H. Calico argues that Brecht's simultaneous work on opera and Lehrst ck in the 1920s generated the new concept of audience experience that would come to define epic theater, and that his revisions to the theory of Gestus in the mid-1930s are reminiscent of nineteenth-century opera performance practices of mimesis.

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Details

  • ISBN-13: 9780520314269
  • ISBN-10: 0520314263
  • Publisher: University of California Press
  • Publish Date: September 2019
  • Dimensions: 8.9 x 5.9 x 0.8 inches
  • Shipping Weight: 1 pounds
  • Page Count: 300

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