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{ "item_title" : "Bryant & May", "item_author" : [" Christopher Fowler "], "item_description" : "London, 1969. With the Swinging Sixties under way, Detectives Arthur Bryant and John May find themselves caught in the middle of a good, old-fashioned manor house murder mystery. Hard to believe, but even positively ancient sleuths like Bryant and May of the Peculiar Crimes Unit were young once . . . or at least younger. Flashback to London 1969: mods and dolly birds, sunburst minidresses--but how long would the party last? After accidentally sinking a barge painted like the Yellow Submarine, Bryant and May are relegated to babysitting one Monty Hatton-Jones, the star prosecution witness in the trial of a disreputable developer whose prefabs are prone to collapse. The job for the demoted detectives? Keep the whistle-blower safe for one weekend. The task proves unexpectedly challenging when their unruly charge insists on attending a party at the vast estate Tavistock Hall. With falling stone gryphons, secret passageways, rumors of a mythical beast, and an all-too-real dismembered corpse, the bedeviled policemen soon find themselves with a proper country house murder on their hands. Trapped for the weekend, Bryant and May must sort the victims from the suspects, including a hippie heir, a blond nightclub singer, and Monty himself--and nobody is quite who he or she seems to be. Praise for Bryant & May: Hall of Mirrors Arthur Bryant has written his memoirs--and a jolly good yarn they make, too. . . . As always in this series, this one's a lark.--The New York Times Book Review Hall of Mirrors is] a largely comic escapade whose tone evokes both the biting wit of Evelyn Waugh and the slapsticker shenanigans of P.G. Woodhouse.--The Wall Street Journal More fully fleshed-out suspects, clues, red herrings, twists, and honest mystery and detection than in the last three whodunits you read.--Kirkus Reviews The narrative veers] between laugh-out-loud funny to macabre. . . . Eccentric and consistently entertaining.--Booklist Fowler evokes the period as neatly as he crafts the plot.--Publishers Weekly Wonderful.--Deadly Pleasures So Agatha Christie (intentionally). And as in a Christie, nothing is quite what it seems as one murder follows another. Love the butler.--Poisoned Pen Newsletter", "item_img_path" : "https://covers2.booksamillion.com/covers/bam/1/10/188/709/1101887095_b.jpg", "price_data" : { "retail_price" : "27.00", "online_price" : "27.00", "our_price" : "27.00", "club_price" : "27.00", "savings_pct" : "0", "savings_amt" : "0.00", "club_savings_pct" : "0", "club_savings_amt" : "0.00", "discount_pct" : "10", "store_price" : "" } }
Bryant & May|Christopher Fowler

Bryant & May : Hall of Mirrors: A Peculiar Crimes Unit Mystery

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Overview

London, 1969. With the Swinging Sixties under way, Detectives Arthur Bryant and John May find themselves caught in the middle of a good, old-fashioned manor house murder mystery. Hard to believe, but even positively ancient sleuths like Bryant and May of the Peculiar Crimes Unit were young once . . . or at least younger. Flashback to London 1969: mods and dolly birds, sunburst minidresses--but how long would the party last? After accidentally sinking a barge painted like the Yellow Submarine, Bryant and May are relegated to babysitting one Monty Hatton-Jones, the star prosecution witness in the trial of a disreputable developer whose prefabs are prone to collapse. The job for the demoted detectives? Keep the whistle-blower safe for one weekend. The task proves unexpectedly challenging when their unruly charge insists on attending a party at the vast estate Tavistock Hall. With falling stone gryphons, secret passageways, rumors of a mythical beast, and an all-too-real dismembered corpse, the bedeviled policemen soon find themselves with "a proper country house murder" on their hands. Trapped for the weekend, Bryant and May must sort the victims from the suspects, including a hippie heir, a blond nightclub singer, and Monty himself--and nobody is quite who he or she seems to be. Praise for Bryant & May: Hall of Mirrors "Arthur Bryant has written his memoirs--and a jolly good yarn they make, too. . . . As always in this series, this one's a lark."--The New York Times Book Review " Hall of Mirrors is] a largely comic escapade whose tone evokes both the biting wit of Evelyn Waugh and the slapsticker shenanigans of P.G. Woodhouse."--The Wall Street Journal "More fully fleshed-out suspects, clues, red herrings, twists, and honest mystery and detection than in the last three whodunits you read."--Kirkus Reviews "The narrative veers] between laugh-out-loud funny to macabre. . . . Eccentric and consistently entertaining."--Booklist "Fowler evokes the period as neatly as he crafts the plot."--Publishers Weekly "Wonderful."--Deadly Pleasures "So Agatha Christie (intentionally). And as in a Christie, nothing is quite what it seems as one murder follows another. Love the butler."--Poisoned Pen Newsletter

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Details

  • ISBN-13: 9781101887097
  • ISBN-10: 1101887095
  • Publisher: Random House Publishing Group
  • Publish Date: December 2018
  • Dimensions: 8.3 x 5.6 x 1.5 inches
  • Shipping Weight: 1.15 pounds
  • Page Count: 432

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Bryant & May: Hall of Mirrors is Christopher Fowler’s 16th tale of the Peculiar Crimes Unit, and this time we’re off to London in the swinging ’60s. Even in their youth, detectives Bryant and May had a habit of doing things their own way, and a simple assignment—keep a man alive for a weekend and get him to court to testify on Monday morning—takes several hard left turns. There’s slapstick comedy and swift wordplay (the duo’s word games are briefly upstaged by Bryant dangling upside down from a trellis during a window escape) as well as food for thought. Standout moments include exchanges between hippies in love with the idea of freedom and the elders who fought in World War II but don’t see their own definition of “freedom” in loose morals and patchouli fumes. If this is your first outing with Bryant and May, you’ll want to read them all.

It seems that Major Sir Robert and Lady Lucy Kurland need only drop in on a new city for a death to occur. Thankfully they’ve become so adept at sleuthing they can almost schedule it alongside their travel itinerary. In Death Comes to Bath, the sixth in Catherine Lloyd’s series, Robert has had a medical setback, so the pair, along with Lucy’s sister, travels to “take the waters” in England’s famed Roman baths. After befriending an older gentleman, the pair is dismayed when he drowns, and foul play is apparent. Lloyd balances period history (Robert was injured in the Battle of Waterloo), a tense romantic subplot and some extravagant vacation shopping while respecting the grave nature of the crime. Class divisions—and the way money can help one surmount them—make for a rich suspect pool. It may be cruel to hope Robert and Lucy keep visiting new cities, given what tends to happen, but watching this duo in action is a joy. 

 

This article was originally published in the January 2019 issue of BookPage. Download the entire issue for the Kindle or Nook.

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