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{ "item_title" : "Engendering an Avant-Garde", "item_author" : [" Leah Modigliani "], "item_description" : "Engendering an avant-garde is the first book to comprehensively examine the origins of Vancouver photo-conceptualism in its regional context between 1968 and 1990. Employing discourse analysis of texts written by and about artists, feminist critique and settler-colonial theory, the book discusses the historical transition from artists' creation of 'defeatured landscapes' between 1968-71 to their cinematographic photographs of the late 1970s and the backlash against such work by other artists in the late 1980s. It is the first study to provide a structural account for why the group remains all-male. It accomplishes this by demonstrating that the importation of a European discourse of avant-garde activity, which assumed masculine social privilege and public activity, effectively excluded women artists from membership.", "item_img_path" : "https://covers3.booksamillion.com/covers/bam/1/52/618/249/1526182491_b.jpg", "price_data" : { "retail_price" : "44.95", "online_price" : "44.95", "our_price" : "44.95", "club_price" : "44.95", "savings_pct" : "0", "savings_amt" : "0.00", "club_savings_pct" : "0", "club_savings_amt" : "0.00", "discount_pct" : "10", "store_price" : "" } }
Engendering an Avant-Garde|Leah Modigliani

Engendering an Avant-Garde : The Unsettled Landscapes of Vancouver Photo-Conceptualism

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Overview

Engendering an avant-garde is the first book to comprehensively examine the origins of Vancouver photo-conceptualism in its regional context between 1968 and 1990. Employing discourse analysis of texts written by and about artists, feminist critique and settler-colonial theory, the book discusses the historical transition from artists' creation of 'defeatured landscapes' between 1968-71 to their cinematographic photographs of the late 1970s and the backlash against such work by other artists in the late 1980s. It is the first study to provide a structural account for why the group remains all-male. It accomplishes this by demonstrating that the importation of a European discourse of avant-garde activity, which assumed masculine social privilege and public activity, effectively excluded women artists from membership.

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Details

  • ISBN-13: 9781526182494
  • ISBN-10: 1526182491
  • Publisher: Manchester University Press
  • Publish Date: December 2024
  • Dimensions: 9.21 x 6.14 x 0.79 inches
  • Shipping Weight: 0.9 pounds
  • Page Count: 296

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