menu
{ "item_title" : "Music and the Queer Body in English Literature at the Fin de Siècle", "item_author" : [" Fraser Riddell "], "item_description" : "Drawing on an ambitious range of interdisciplinary material, including literature, musical treatises and theoretical texts, Music and the Queer Body explores the central place music held for emergent queer identities in the late-nineteenth and early-twentieth centuries. Canonical writers such as Walter Pater, E. M. Forster and Virginia Woolf are discussed alongside lesser-known figures such as John Addington Symonds, Vernon Lee and Arthur Symons. Engaging with a number of historical case studies, Fraser Riddell pays particular attention to the significance of embodiment in queer musical subcultures and draws on contemporary queer theory and phenomenology to show how writers associate music with shameful, masochistic and anti-humanist subject positions. Ultimately, this study reveals how literary texts at the fin de siècle invest music with queer agency: to challenge or refuse essentialist identities, to facilitate re-conceptions of embodied subjectivity, and to present alternative sensory experiences of space and time. This title is also available as Open Access on Cambridge Core.", "item_img_path" : "https://covers1.booksamillion.com/covers/bam/1/10/883/920/1108839207_b.jpg", "price_data" : { "retail_price" : "111.00", "online_price" : "111.00", "our_price" : "111.00", "club_price" : "111.00", "savings_pct" : "0", "savings_amt" : "0.00", "club_savings_pct" : "0", "club_savings_amt" : "0.00", "discount_pct" : "10", "store_price" : "" } }
Music and the Queer Body in English Literature at the Fin de Siècle|Fraser Riddell

Music and the Queer Body in English Literature at the Fin de Siècle

local_shippingShip to Me
In Stock.
FREE Shipping for Club Members help

Overview

Drawing on an ambitious range of interdisciplinary material, including literature, musical treatises and theoretical texts, Music and the Queer Body explores the central place music held for emergent queer identities in the late-nineteenth and early-twentieth centuries. Canonical writers such as Walter Pater, E. M. Forster and Virginia Woolf are discussed alongside lesser-known figures such as John Addington Symonds, Vernon Lee and Arthur Symons. Engaging with a number of historical case studies, Fraser Riddell pays particular attention to the significance of embodiment in queer musical subcultures and draws on contemporary queer theory and phenomenology to show how writers associate music with shameful, masochistic and anti-humanist subject positions. Ultimately, this study reveals how literary texts at the fin de siècle invest music with queer agency: to challenge or refuse essentialist identities, to facilitate re-conceptions of embodied subjectivity, and to present alternative sensory experiences of space and time. This title is also available as Open Access on Cambridge Core.

This item is Non-Returnable

Details

  • ISBN-13: 9781108839204
  • ISBN-10: 1108839207
  • Publisher: Cambridge University Press
  • Publish Date: April 2022
  • Dimensions: 9 x 6 x 0.69 inches
  • Shipping Weight: 1.25 pounds
  • Page Count: 298

Related Categories

You May Also Like...

    1

BAM Customer Reviews