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With My Back to the World|Victoria Chang

With My Back to the World : Poems

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Overview

Winner of the Forward Prize for Best Collection
Finalist for the PEN/Jean Stein Book Award and the Kingsley Tufts Poetry Award
Named a Best Book of the Year by NPR
Named One of the Best Poetry Collections of the Year by The Guardian, Literary Hub, and Electric Literature

A new collection of poetry inspired by the work of Agnes Martin, exploring topics of feminism, art, depression, and grief, by the author of the prizewinning collection Obit.

Yesterday I slung my depression on my back and went to the museum. I only asked four attendants where the Agnes painting was and the fifth one knew. I walked into the room and saw it right away. From afar, it was a large white square.

With My Back to the World engages with the paintings and writings of Agnes Martin, the celebrated abstract artist, in ways that open up new modes of expression, expanding the scope of what art, poetry, and the human mind can do. Filled with surprise and insight, wit and profundity, the book explores the nature of the self, of existence, life and death, grief and depression, time and space. Strikingly original, fluidly strange, Victoria Chang's new collection is a book that speaks to how we see and are seen.

Details

  • ISBN-13: 9780374611132
  • ISBN-10: 0374611130
  • Publisher: Farrar, Straus and Giroux
  • Publish Date: April 2024
  • Dimensions: 8.7 x 6.1 x 0.8 inches
  • Shipping Weight: 0.65 pounds
  • Page Count: 112

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Each of the poems in Victoria Chang’s latest collection responds to a painting with the same title by abstract artist Agnes Martin (1912-2004). If you aren’t familiar with Martin’s work, or typically feel unmoved by minimalist paintings, this conceit could seem like a barrier. But turn to the first poem in With My Back to the World and the magnetism of Chang’s language will convince you of the power of her project. “I learned that . . . emptiness still swarms without the / world,” Chang writes, “The best thing about emptiness is if you close your / eyes in a field, you’ll open your eyes in a field.” Should you be suddenly filled with a desire to see that emptiness swarm on a canvas, you can find the titular painting online. Many of the poems directly reference their painting’s shape, color and structure. Martin was known for painting grids, and Chang’s accompanying illustrations evoke this: scraps of poem arranged in a grid, or obscured by ink drawings. To organize a book of poems so tightly around a concept and a form isn’t new for Chang. In her 2020 National Book Award-longlisted Obit, written after the death of her mother, each poem took the form of an obituary. Chang’s father has since passed as well, and the middle section of With My Back to the World is a guttingly specific grief sequence. As the collection unfolds, Chang lets us in on the intense relationship an artist can form with another through their work. Some poems deliberate on Martin’s dictates about solitude, while simultaneously longing for attention, connection and an audience. Other poems describe the risk of violence that comes with being visible for women, especially Asian women. “On a Clear Day, 1973” responds to the 2021 murder of eight people, six of them Asian American women, by Robert Aaron Long in Atlanta. Like Martin, Chang etches meaning into her chosen structure down to the smallest detail. Again and again, there’s the moment of recognition that readers come to poetry for: Here is a feeling you know well, but have never been able to witness outside of yourself. Isn’t it liberating to put these words to it? Don’t you feel less alone in your loneliness?

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