Notes on Her Color
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Overview
Winner of the Vulgar Geniuses AwardFlorida kitsch swirls together with magical realism in this glittering debut novel about a young Black and Indigenous woman who learns to change the color of her skin Gabrielle has always had a complicated relationship with her mother Tallulah, one marked by intimacy and resilience in the face of a volatile patriarch. Everything in their home has been bleached a cold white--from the cupboards filled with sheets and crockery to the food and spices Tallulah cooks with. Even Gabrielle, who inherited the ability to change the color of her skin from her mother, is told to pass into white if she doesn't want to upset her father. But this vital mother-daughter bond implodes when Tallulah is hospitalized for a mental health crisis. Separated from her mother for the first time in her life, Gabrielle must learn to control the temperamental shifts in her color on her own. Meanwhile, Gabrielle is spending a year after high school focusing on her piano lessons, an extracurricular her father is sure will make her a more appealing candidate for pre med programs. Her instructor, a queer, dark-skinned woman named Dominique, seems to encapsulate everything Gabrielle is missing in her life--creativity, confidence, and perhaps most importantly, a nurturing sense of love. Following a young woman looking for a world beyond her family's carefully -coded existence, Notes on Her Color is a lushly written and haunting tale that shows how love, in its best sense, can be a liberating force from destructive origins.
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Details
- ISBN-13: 9781646221196
- ISBN-10: 1646221192
- Publisher: Catapult
- Publish Date: May 2023
- Dimensions: 8.52 x 5.9 x 1.13 inches
- Shipping Weight: 1.11 pounds
- Page Count: 336
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Jennifer Neal’s debut novel is a haunting coming-of-age story, a melodic love letter to the language of music and a fierce, dark, rage-filled upbraiding of patriarchal violence.
Gabrielle has the ability to change the color of her skin, a quality inherited from her mother, Tallulah. As a child, Gabrielle learns how to shift from her natural brown into vivid reds and blues and golds, as well as how to hide her skin tones from the world when needed. Chillingly, Gabrielle and Tallulah most often make their skin white to appease the family patriarch, a violent, abusive man who demands everything in the house, including his wife and daughter, be whitewashed.
When Gabrielle’s controlling father insists that she take a year off after high school to improve her piano playing and bulk up her resume for college applications, she finds an unexpected source of freedom and solace in her piano teacher, a queer woman named Dominique. Dominique and her mother, Niyala, fill their colorful home with love, music and food—so unlike the cold and fearful house where Gabrielle grew up. As Gabrielle spends more time with them, she slowly begins to face—and heal—her deep old wounds.
Notes on Her Color unfolds almost glacially at first, in a series of meandering scenes—some banal and domestic, others startling in their harsh depictions of violence. A series of events toward the end of the novel heightens the book’s emotional impact, and though the pacing may feel a bit dizzying to some readers, it also captures the often tumultuous whims of adolescence.
Neal’s prose is assured and evocative, and the magic of shifting skin tones enables a fascinating commentary on race, power, invisibility and desire. But where this novel truly shines is in its nuanced exploration of relationships between women. There’s a softness in the way Neal writes about Gabrielle and Dominique, and a hard-edged tenderness to how Dominique and Niyala bicker and tease. Gabrielle and Tallulah’s thorny, muddled relationship is described with prickly honesty: They are haunted by many of the same demons, and yet they struggle to see each other clearly. With small but devastating details, Neal paints a vivid picture of their close bond and, just as gracefully, depicts the ways the world frays it nearly to breaking.
Notes on Her Color is about familial violence and the complex legacies of generational trauma. It’s also about queer joy and the hard, slow work of liberation. Musicians and artists will likely find it especially compelling—the women in this novel use music as a form of resistance and power—but anyone craving a fresh, inventive take on the bildungsroman should look out for this debut.
Jennifer Neal’s debut novel is a haunting coming-of-age story, a melodic love letter to the language of music and a fierce, dark, rage-filled upbraiding of patriarchal violence.
Gabrielle has the ability to change the color of her skin, a quality inherited from her mother, Tallulah. As a child, Gabrielle learns how to shift from her natural brown into vivid reds and blues and golds, as well as how to hide her skin tones from the world when needed. Chillingly, Gabrielle and Tallulah most often make their skin white to appease the family patriarch, a violent, abusive man who demands everything in the house, including his wife and daughter, be whitewashed.
When Gabrielle’s controlling father insists that she take a year off after high school to improve her piano playing and bulk up her resume for college applications, she finds an unexpected source of freedom and solace in her piano teacher, a queer woman named Dominique. Dominique and her mother, Niyala, fill their colorful home with love, music and food—so unlike the cold and fearful house where Gabrielle grew up. As Gabrielle spends more time with them, she slowly begins to face—and heal—her deep old wounds.
Notes on Her Color unfolds almost glacially at first, in a series of meandering scenes—some banal and domestic, others startling in their harsh depictions of violence. A series of events toward the end of the novel heightens the book’s emotional impact, and though the pacing may feel a bit dizzying to some readers, it also captures the often tumultuous whims of adolescence.
Neal’s prose is assured and evocative, and the magic of shifting skin tones enables a fascinating commentary on race, power, invisibility and desire. But where this novel truly shines is in its nuanced exploration of relationships between women. There’s a softness in the way Neal writes about Gabrielle and Dominique, and a hard-edged tenderness to how Dominique and Niyala bicker and tease. Gabrielle and Tallulah’s thorny, muddled relationship is described with prickly honesty: They are haunted by many of the same demons, and yet they struggle to see each other clearly. With small but devastating details, Neal paints a vivid picture of their close bond and, just as gracefully, depicts the ways the world frays it nearly to breaking.
Notes on Her Color is about familial violence and the complex legacies of generational trauma. It’s also about queer joy and the hard, slow work of liberation. Musicians and artists will likely find it especially compelling—the women in this novel use music as a form of resistance and power—but anyone craving a fresh, inventive take on the bildungsroman should look out for this debut.
