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{ "item_title" : "Performance, Masculinity, and Self-Injury", "item_author" : [" Lucy Weir "], "item_description" : "This book is an ambitious and expansive examination of the visual language of self-injury in performance art from the 1960s to the present.Inspired by the gendered nature of discussion around self-harm, the book challenges established readings of risk-taking and self-injury in global performance practice. The interdisciplinary methodology draws from art history and sociology to provide a new critical analysis of the relationship between masculinity and self-inflicted injury. Based upon interviews with a range of artists around the world, it offers an innovative understanding of the diverse meanings behind self-injury in performance, and delves into the gendered coding of self-harming bodies. Individual chapters examine the work of Ron Athey, Günter Brus, Wafaa Bilal, Franko B, André Stitt, Pyotr Pavlensky, and Yang Zhichao, offering a new perspective on the forms and functions of self-injury in performance art.The book will be of interest to scholars working in art history, performance studies, gender studies, and cultural studies.", "item_img_path" : "https://covers3.booksamillion.com/covers/bam/1/03/202/709/1032027096_b.jpg", "price_data" : { "retail_price" : "200.00", "online_price" : "200.00", "our_price" : "200.00", "club_price" : "200.00", "savings_pct" : "0", "savings_amt" : "0.00", "club_savings_pct" : "0", "club_savings_amt" : "0.00", "discount_pct" : "10", "store_price" : "" } }
Performance, Masculinity, and Self-Injury|Lucy Weir

Performance, Masculinity, and Self-Injury

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Overview

This book is an ambitious and expansive examination of the visual language of self-injury in performance art from the 1960s to the present.

Inspired by the gendered nature of discussion around self-harm, the book challenges established readings of risk-taking and self-injury in global performance practice. The interdisciplinary methodology draws from art history and sociology to provide a new critical analysis of the relationship between masculinity and self-inflicted injury. Based upon interviews with a range of artists around the world, it offers an innovative understanding of the diverse meanings behind self-injury in performance, and delves into the gendered coding of self-harming bodies. Individual chapters examine the work of Ron Athey, Günter Brus, Wafaa Bilal, Franko B, André Stitt, Pyotr Pavlensky, and Yang Zhichao, offering a new perspective on the forms and functions of self-injury in performance art.

The book will be of interest to scholars working in art history, performance studies, gender studies, and cultural studies.

This item is Non-Returnable

Details

  • ISBN-13: 9781032027098
  • ISBN-10: 1032027096
  • Publisher: Routledge
  • Publish Date: August 2024
  • Page Count: 184

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