{
"item_title" : "Point of View in the Cinema",
"item_author" : [" Edward Branigan "],
"item_description" : "Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to naturalize style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.",
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Point of View in the Cinema
Overview
Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to "naturalize" style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.
This item is Non-Returnable
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Details
- ISBN-13: 9789027930798
- ISBN-10: 9027930791
- Publisher: de Gruyter Mouton
- Publish Date: December 1984
- Dimensions: 9.21 x 6.14 x 0.69 inches
- Shipping Weight: 1.28 pounds
- Page Count: 262
- Reading Level: Ages 22-22
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