{ "item_title" : "Rauschenberg", "item_author" : [" Robert Rauschenberg", "Leah Dickerman "], "item_description" : "In the mid-1950s, declaring there is no reason not to consider the world as a gigantic painting, Robert Rauschenberg began a series of radical experiments with what he called Combines, a term he coined to describe works that fused cast-off items like quilts or rubber tires with traditional supports. Canyon (1959), one of the artist's best-known Combines, is a large canvas affixed with paper, fabric, metal, personal photographs, wood, mirrors and one very striking object: a large stuffed bald eagle, wings outstretched, carrying a drooping pillow, and balanced upon a wooden plank jutting out from the canvas. Canyon is one of six Combines in MoMA's collection, and a landmark work that helped to revolutionize art in the postwar period. An essay by curator Leah Dickerman explores the legacy of this extraordinary piece, and places it within a key period in Rauschenberg's career.", "item_img_path" : "https://covers4.booksamillion.com/covers/bam/0/87/070/894/0870708945_b.jpg", "price_data" : { "retail_price" : "14.95", "online_price" : "14.95", "our_price" : "14.95", "club_price" : "14.95", "savings_pct" : "0", "savings_amt" : "0.00", "club_savings_pct" : "0", "club_savings_amt" : "0.00", "discount_pct" : "10", "store_price" : "" } }

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