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{ "item_title" : "Recognition in Mozart's Operas", "item_author" : [" Jessica Waldoff "], "item_description" : "Since its beginnings, opera has depended on recognition as a central aspect of both plot and theme. Though a standard feature of opera, recognition--a moment of new awareness that brings about a crucial reversal in the action--has been largely neglected in opera studies. In Recognition in Mozart's Operas, musicologist Jessica Waldoff draws on a broad base of critical thought on recognition from Aristotle to Terence Cave to explore the essential role it plays in Mozart's operas. The result is a fresh approach to the familiar question of opera as drama and a persuasive new reading of Mozart's operas.", "item_img_path" : "https://covers3.booksamillion.com/covers/bam/0/19/515/197/0195151976_b.jpg", "price_data" : { "retail_price" : "67.00", "online_price" : "67.00", "our_price" : "67.00", "club_price" : "67.00", "savings_pct" : "0", "savings_amt" : "0.00", "club_savings_pct" : "0", "club_savings_amt" : "0.00", "discount_pct" : "10", "store_price" : "" } }
Recognition in Mozart's Operas|Jessica Waldoff

Recognition in Mozart's Operas

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Overview

Since its beginnings, opera has depended on recognition as a central aspect of both plot and theme. Though a standard feature of opera, recognition--a moment of new awareness that brings about a crucial reversal in the action--has been largely neglected in opera studies. In Recognition in Mozart's Operas, musicologist Jessica Waldoff draws on a broad base of critical thought on recognition from Aristotle to Terence Cave to explore the essential role it plays in Mozart's operas. The result is a fresh approach to the familiar question of opera as drama and a persuasive new reading of Mozart's operas.

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Details

  • ISBN-13: 9780195151978
  • ISBN-10: 0195151976
  • Publisher: Oxford University Press
  • Publish Date: April 2006
  • Dimensions: 9.54 x 6.38 x 0.95 inches
  • Shipping Weight: 1.39 pounds
  • Page Count: 352

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