{ "item_title" : "Social Life in the Insect World", "item_author" : [" Jean-Henri Fabre "], "item_description" : "THE FABLE OF THE CIGALE AND THE ANTFame is the daughter of Legend. In the world of creatures, as in the worldof men, the story precedes and outlives history. There are many instancesof the fact that if an insect attract our attention for this reason or that, it isgiven a place in those legends of the people whose last care is truth.For example, who is there that does not, at least by hearsay, know the Cigale?Where in the entomological world shall we find a more famous reputation?Her fame as an impassioned singer, careless of the future, was the subject ofour earliest lessons in repetition. In short, easily remembered lines of verse,we learned how she was destitute when the winter winds arrived, and howshe went begging for food to the Ant, her neighbour. A poor welcome shereceived, the would-be borrower -a welcome that has become proverbial,and her chief title to celebrity. The petty malice of the two short lines-Vous chantiez j'en suis bien aise, Eh bien, dansez maintenanthas done more to immortalise the insect than her skill as a musician. Yousang I am very glad to hear it Now you can dance The words lodge in3 JEAN-HENRI FABREthe childish memory, never to be forgotten. To most Englishmen-to mostFrenchmen even-the song of the Cigale is unknown, for she dwells in thecountry of the olive-tree; but we all know of the treatment she received atthe hands of the Ant. On such trifles does Fame depend A legend of verydubious value, its moral as bad as its natural history; a nurse's tale whoseonly merit is its brevity; such is the basis of a reputation which will survivethe wreck of centuries no less surely than the tale of Puss-in-Boots and ofLittle Red Riding-Hood.The child is the best guardian of tradition, the great conservative. Customand tradition become indestructible when confided to the archives of hismemory. To the child we owe the celebrity of the Cigale, of whose misfor-tunes he has babbled during his first lessons in recitation. It is he who willpreserve for future generations the absurd nonsense ofwhich the body of thefable is constructed; the Cigale will always be hungry when the cold comes,although there were never Cigales in winter; she will always beg alms in theshape of a few grains of wheat, a diet absolutely incompatible with her deli-cate capillary tongue; and in desperation she will hunt for flies and grubs,although she never eats.Whom shall we hold responsible for these strange mistakes? La Fontaine,who in most of his fables charms us with his exquisite fineness of observa-tion, has here been ill-inspired. His earlier subjects he knew down to theground: the Fox, the Wolf, the Cat, the Stag, the Crow, the Rat, the Fer-ret, and so many others, whose actions and manners he describes with a de-lightful precision of detail. These are inhabitants of his own country; neigh-bours, fellow-parishioners. Their life, private and public, is lived under hiseyes; but the Cigale is a stranger to the haunts of Jack Rabbit. La Fontainehad never seen nor heard her. For him the celebrated songstress", "item_img_path" : "https://covers2.booksamillion.com/covers/bam/9/79/818/271/9798182714617_b.jpg", "price_data" : { "retail_price" : "45.00", "online_price" : "45.00", "our_price" : "45.00", "club_price" : "45.00", "savings_pct" : "0", "savings_amt" : "0.00", "club_savings_pct" : "0", "club_savings_amt" : "0.00", "discount_pct" : "10", "store_price" : "" } }

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