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Overview
"London and Zelinsky have created something unendingly fun but also deeply meaningful: Art takes on a life of its own, no matter how much the artist thinks the work can be controlled!" --Brian Selznick, Caldecott Medal-winning author of The Invention of Hugo Cabret
A still life painting is a painting where everything is supposed to stay still. But what if it doesn't? Acclaimed author Alex London and Caldecott Medal-winning artist Paul O. Zelinsky bring exquisite life and adventure to this slyly funny and inventive picture book for fans of Christopher Denise's Knight Owl and Corinna Luyken's The Book of Mistakes.
Every young artist has drawn or painted a still life scene. Perhaps it is a bowl of fruit, or a toy, or a vase of flowers, or a chair. The only rule is that a still life painting must stay still.
But staying still is hard! Especially for a curious mouse and a hungry dragon and a no-nonsense princess. Will the artist notice that his still life painting is breaking all the rules?
From award-winning author Alex London and Caldecott Medal-winning artist Paul O. Zelinsky, Still Life is a funny, subversive, and clever picture book that brings a painting to wildly imaginative life. Readers will pore over all the silly and surprising details in the illustrations--which tell a story of daring rescues, dashing heroes, and found friends. With its inventive humor, Still Life is for readers of Battle Bunny and David Ezra Stein's Interrupting Chicken.
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Details
- ISBN-13: 9780063229556
- ISBN-10: 0063229552
- Publisher: Greenwillow Books
- Publish Date: September 2024
- Dimensions: 11.1 x 9.1 x 0.4 inches
- Shipping Weight: 0.97 pounds
- Page Count: 40
- Reading Level: Ages 4-8
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- 1
Reading Still Life makes one immediately wish for children to share it with, since this book is guaranteed to have them shouting in glee, their exclamations growing louder with every turn of the page. At the same time, because readers must pay careful attention to the visual details on each page, enjoying the book is a wonderful exercise in observation, memory and anticipation.
The fun is not surprising, given that author Alex London has written over 30 books for children and teens. In Still Life, the focus is on a curly-haired artist intent on explaining the concept of still life paintings—especially how predictable they are. “This is a still life,” he begins. “It is a painting of objects sitting still. In a still life, nothing moves.” He stands beside a rather baroque work in progress depicting a strange collection including items like a dollhouse, jam, paper and a flickering candle.
Caldecott Medalist Paul O. Zelinsky carefully delineates between the painting, which is laden with colorful, intricate details, and the artist’s real world, which is composed of much starker, quicker sketches. This delineation helps readers differentiate between art and “reality” in this delightfully meta picture book. The first sign of trouble appears when a pair of mice climb up the artist’s (real) table, eventually scurrying into the painting and getting into the (painted) jam. Soon a princess, dragon and a knight appear in the painting, prompting the artist to declare, “Dragons? No, nothing like that in this sort of painting. There are no creatures to ruin the tablecloth or stomp through the strawberries. None whatsoever!” Kids will relish the oodles of activity taking place right under the artist’s oblivious nose, especially when he announces, “If you see a note in a still-life painting, please do not read it.” Still Life provides a fabulous, subtle way to teach children they shouldn’t always believe everything they hear, no matter how earnest the proclaimer may be.
London and Zelinsky have fun turning expectations upside down, such as when the princess saves the dragon from the troublesome knight. Still Life is a hilarious hoot, and readers will likely never look at a still life in quite the same way.
Reading Still Life makes one immediately wish for children to share it with, since this book is guaranteed to have them shouting in glee, their exclamations growing louder with every turn of the page. At the same time, because readers must pay careful attention to the visual details on each page, enjoying the book is a wonderful exercise in observation, memory and anticipation.
The fun is not surprising, given that author Alex London has written over 30 books for children and teens. In Still Life, the focus is on a curly-haired artist intent on explaining the concept of still life paintings—especially how predictable they are. “This is a still life,” he begins. “It is a painting of objects sitting still. In a still life, nothing moves.” He stands beside a rather baroque work in progress depicting a strange collection including items like a dollhouse, jam, paper and a flickering candle.
Caldecott Medalist Paul O. Zelinsky carefully delineates between the painting, which is laden with colorful, intricate details, and the artist’s real world, which is composed of much starker, quicker sketches. This delineation helps readers differentiate between art and “reality” in this delightfully meta picture book. The first sign of trouble appears when a pair of mice climb up the artist’s (real) table, eventually scurrying into the painting and getting into the (painted) jam. Soon a princess, dragon and a knight appear in the painting, prompting the artist to declare, “Dragons? No, nothing like that in this sort of painting. There are no creatures to ruin the tablecloth or stomp through the strawberries. None whatsoever!” Kids will relish the oodles of activity taking place right under the artist’s oblivious nose, especially when he announces, “If you see a note in a still-life painting, please do not read it.” Still Life provides a fabulous, subtle way to teach children they shouldn’t always believe everything they hear, no matter how earnest the proclaimer may be.
London and Zelinsky have fun turning expectations upside down, such as when the princess saves the dragon from the troublesome knight. Still Life is a hilarious hoot, and readers will likely never look at a still life in quite the same way.