Still Life
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Overview
Everything in Edith's life is approaching disaster. Her writing career is stagnant. Her love life is a mess. Her ex, Tessa, is marrying a man. Her teeth are rotting in her skull. And her best friend, Val, is dead.
Still Life volleys between the present and recent past, chronicling the lives of three women--one cis, two trans, all forever entwined. Edith was a bumbling "boy" pre-transition, in love with Tessa, enamored by Val, and drowning in Boston. She and Tessa called each other Joni and Joan, an homage to the musical backdrop of their fledgling adulthood. When Edith decides to leave behind the East Coast for graduate school, she begins a yearslong journey away from the person she loves most and toward a hazy new understanding of who she will become.
In the present, Edith visits Boston feeling like a failure of a writer, a failure of a girl, and wracked with guilt over Val's death. Val, the intrepid wanderer, had drifted in and out of Edith's life, arriving in Texas with estrogen pills and wisdom from a life on the road. A sometimes lover, sometimes trans mentor, Val was everything Tessa wasn't and everything Edith needed. Home alone in Texas, she is left loveless and exhausted as the state slowly chips away at trans rights. Was Val's fatal car crash Edith's fault? Would she have stayed put if Edith had loved her better?
Katherine Packert Burke's debut novel unfolds like a rusty pocketknife, jagged and lacerating. Infused with pop culture, cigarettes, and Sondheim, Still Life traces the lives of three friends, authentic and evolving, loving and cruel, here and gone, to craft a tableau of modern womanhood.
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Details
- ISBN-13: 9781324076360
- ISBN-10: 1324076364
- Publisher: W. W. Norton & Company
- Publish Date: September 2024
- Dimensions: 9.1 x 5.7 x 1.1 inches
- Shipping Weight: 0.7 pounds
- Page Count: 272
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In her sharp, funny and wonderfully observed debut, Katherine Packert Burke captures the ordinary texture of queer and trans life. Still Life is a surprising and layered portrayal of the quotidian, full of biting musings on queer and trans culture, literature, art and, quite poignantly, Sondheim musicals.
Edith is a trans woman in her late 20s, muddling through life without direction. She’s living in Austin, supposedly working on her second book. In reality, she spends her days cruising dating apps, going to parties and attending protests against increasingly violent anti-trans legislation. Grieving the death of her best friend and sometimes-lover, Val, she’s trapped in a melancholic longing for her past in Boston.
When a college friend invites her to speak to his creative writing students, she reluctantly returns to Boston for a week, where she visits her ex-girlfriend, Tessa, whom she dated before she transitioned. The narrative moves between the turbulent present and the turbulent past. In both timelines, Edith’s life revolves around her tangled relationships with both Tessa and Val. The three women’s friendships shift as they age, move and fall in and out of love. Edith transitions and comes out; Val dies. It is these two world-remaking changes that give the novel its emotional heft.
There’s not much plot in these 272 pages, but the novel is all the richer for it. Without external events driving the action forward, Burke is able to focus on the strange and singular details of her protagonist’s interior life. Burke writes about grief, transition, gender identity, desire, and queer and trans love with astonishing expansiveness. Edith’s journey is not straightforward or linear. It’s circuitous, sometimes stagnant. She tries to think her way forward, but finds, again and again, that she cannot escape the material world—her physical body.
Still Life is an ode to both the sweet and thorny parts of queer friendship. Its urgency lies not in what happens to the characters, but in how they feel about what happens to them. Most of all, it’s a novel about navigating that most human of conundrums: change.
In her sharp, funny and wonderfully observed debut, Katherine Packert Burke captures the ordinary texture of queer and trans life. Still Life is a surprising and layered portrayal of the quotidian, full of biting musings on queer and trans culture, literature, art and, quite poignantly, Sondheim musicals.
Edith is a trans woman in her late 20s, muddling through life without direction. She’s living in Austin, supposedly working on her second book. In reality, she spends her days cruising dating apps, going to parties and attending protests against increasingly violent anti-trans legislation. Grieving the death of her best friend and sometimes-lover, Val, she’s trapped in a melancholic longing for her past in Boston.
When a college friend invites her to speak to his creative writing students, she reluctantly returns to Boston for a week, where she visits her ex-girlfriend, Tessa, whom she dated before she transitioned. The narrative moves between the turbulent present and the turbulent past. In both timelines, Edith’s life revolves around her tangled relationships with both Tessa and Val. The three women’s friendships shift as they age, move and fall in and out of love. Edith transitions and comes out; Val dies. It is these two world-remaking changes that give the novel its emotional heft.
There’s not much plot in these 272 pages, but the novel is all the richer for it. Without external events driving the action forward, Burke is able to focus on the strange and singular details of her protagonist’s interior life. Burke writes about grief, transition, gender identity, desire, and queer and trans love with astonishing expansiveness. Edith’s journey is not straightforward or linear. It’s circuitous, sometimes stagnant. She tries to think her way forward, but finds, again and again, that she cannot escape the material world—her physical body.
Still Life is an ode to both the sweet and thorny parts of queer friendship. Its urgency lies not in what happens to the characters, but in how they feel about what happens to them. Most of all, it’s a novel about navigating that most human of conundrums: change.
