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{ "item_title" : "Studying City of God", "item_author" : [" Stephanie Muir "], "item_description" : "A leading example of a resurgent Latin American cinema - 'la buena onda' - in the early twenty-first century, City of God was a huge international popular and critical success. A combination of intoxicating, Hollywood-style genre film-making and hard-hitting, social-realist subject matter it was hailed as a masterpiece at Cannes in 2002 and seen by over 3 million people in Brazil, including the Brazilian cabinet. In Studying City of God, Stephanie Muir considers: The historical and industrial context of City of God - a brief history of Latin American cinema is followed by a more detailed account of film-making in Brazil - from light-hearted travelogues to Cinema Novo and after - all in the context of increasing globalisation; Narrative and Genre - how the film uses the components of narrative in a complex way, ex-perimentally manipulating time while using traditional genre conventions that are highly recognisable to mainstream audiences; Film language - the formal elements of the film are dissected through a detailed illustrated analysis of the kinetic, scene setting opening sequence; Audience responses - from establishment critical reaction to fan-based Internet sites and student feedback; Representation and Ideology - just how 'authentic' can a film such as City of God hope to be? Does its style overwhelm its subject matter?", "item_img_path" : "https://covers1.booksamillion.com/covers/bam/1/90/366/359/1903663598_b.jpg", "price_data" : { "retail_price" : "53.99", "online_price" : "53.99", "our_price" : "53.99", "club_price" : "53.99", "savings_pct" : "0", "savings_amt" : "0.00", "club_savings_pct" : "0", "club_savings_amt" : "0.00", "discount_pct" : "10", "store_price" : "" } }
Studying City of God|Stephanie Muir

Studying City of God

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Overview

A leading example of a resurgent Latin American cinema - 'la buena onda' - in the early twenty-first century, City of God was a huge international popular and critical success. A combination of intoxicating, Hollywood-style genre film-making and hard-hitting, social-realist subject matter it was hailed as a masterpiece at Cannes in 2002 and seen by over 3 million people in Brazil, including the Brazilian cabinet. In Studying City of God, Stephanie Muir considers: The historical and industrial context of City of God - a brief history of Latin American cinema is followed by a more detailed account of film-making in Brazil - from light-hearted travelogues to Cinema Novo and after - all in the context of increasing globalisation; Narrative and Genre - how the film uses the components of narrative in a complex way, ex-perimentally manipulating time while using traditional genre conventions that are highly recognisable to mainstream audiences; Film language - the formal elements of the film are dissected through a detailed illustrated analysis of the kinetic, scene setting opening sequence; Audience responses - from establishment critical reaction to fan-based Internet sites and student feedback; Representation and Ideology - just how 'authentic' can a film such as City of God hope to be? Does its style overwhelm its subject matter?

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Details

  • ISBN-13: 9781903663592
  • ISBN-10: 1903663598
  • Publisher: Liverpool University Press
  • Publish Date: March 2008
  • Dimensions: 7.48 x 5.32 x 0.2 inches
  • Shipping Weight: 0.46 pounds
  • Page Count: 56
  • Reading Level: Ages 22-UP

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