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{ "item_title" : "Understanding Images", "item_author" : [" Francis T. Marchese "], "item_description" : "cross-disciplinary perspectives of its participants. For example, Marc de Mey, a psychologist, used threedimensional computer graphic ren- dering to reconstruct Masaccio's Trinity, in order to understand this early Renaissance painter's use of perspective; Thomas Hubbard, a photo journalist, engaged the entire audience in interactive image analysis; or Robert Williams, a computer scientist and musician, who performed Mussorgsky's Pictures at an Exhibition on a com- puter assisted classical guitar, demonstrating a guitarist's ability to translate simple gestures for enhanced sonic expression. Each paper in this proceedings is a point on the perceptual hori- zon. Together they form a Gestalt that organizes the visual land- scape, highlighting reconverging paths of art, science, and technology toward a future Renaissance. Just as the fifteenth century Renais- sance painter reinvented the technology of perspective to organize and represent images, future Renaissance communicators will rein- vent computer technology to help us better understand visual reality. This conference would have not been successful without support from a few dedicated individuals. Specifically, I would like to thank Jean Coppola (conference coordinator), the NYC ACM SIGGRAPH board of directors, Dr. Carol Wolf (Chair, Computer Science Depart- ment), Kenneth Norz (Assistant Dean), Dr. Susan Merritt ( Dean, School of Computer Science and Information Systems), and the di- rector and staff of Pace University's Downtown Theater. 1.1 REFERENCES1] Barlow, H., Blackmore, C., and Weston-Smith, M. (Eds.) (1990). Images and Understanding. Cambridge: Cambridge University Press.", "item_img_path" : "https://covers3.booksamillion.com/covers/bam/1/46/138/382/146138382X_b.jpg", "price_data" : { "retail_price" : "109.99", "online_price" : "109.99", "our_price" : "109.99", "club_price" : "109.99", "savings_pct" : "0", "savings_amt" : "0.00", "club_savings_pct" : "0", "club_savings_amt" : "0.00", "discount_pct" : "10", "store_price" : "" } }
Understanding Images|Francis T. Marchese

Understanding Images : Finding Meaning in Digital Imagery

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cross-disciplinary perspectives of its participants. For example, Marc de Mey, a psychologist, used threedimensional computer graphic ren- dering to reconstruct Masaccio's Trinity, in order to understand this early Renaissance painter's use of perspective; Thomas Hubbard, a photo journalist, engaged the entire audience in interactive image analysis; or Robert Williams, a computer scientist and musician, who performed Mussorgsky's Pictures at an Exhibition on a com- puter assisted classical guitar, demonstrating a guitarist's ability to translate simple gestures for enhanced sonic expression. Each paper in this proceedings is a point on the perceptual hori- zon. Together they form a Gestalt that organizes the visual land- scape, highlighting reconverging paths of art, science, and technology toward a future Renaissance. Just as the fifteenth century Renais- sance painter reinvented the technology of perspective to organize and represent images, future Renaissance communicators will rein- vent computer technology to help us better understand visual reality. This conference would have not been successful without support from a few dedicated individuals. Specifically, I would like to thank Jean Coppola (conference coordinator), the NYC ACM SIGGRAPH board of directors, Dr. Carol Wolf (Chair, Computer Science Depart- ment), Kenneth Norz (Assistant Dean), Dr. Susan Merritt ( Dean, School of Computer Science and Information Systems), and the di- rector and staff of Pace University's Downtown Theater. 1.1 REFERENCES 1] Barlow, H., Blackmore, C., and Weston-Smith, M. (Eds.) (1990). Images and Understanding. Cambridge: Cambridge University Press.

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Details

  • ISBN-13: 9781461383826
  • ISBN-10: 146138382X
  • Publisher: Springer
  • Publish Date: December 2011
  • Dimensions: 9 x 6 x 0.69 inches
  • Shipping Weight: 0.98 pounds
  • Page Count: 316

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